by Dhonielle Clayton & Sona Charaipotra ‧ RELEASE DATE: March 1, 2022
An emotional and engaging drama full of twists and turns.
Rumors spiral out of control and create chaos with serious consequences at an elite prep school.
Clayton and Charaipotra team up again to expose the truth behind the privilege, this time with a story set at Foxham Preparatory Academy, where the children of Washington, D.C.’s most prestigious and powerful attend school. Bryn, the once-popular student body president, is now seen as “a trashy white girl” after running her ex-boyfriend’s car off the road in a jealous rage. When Cora’s boyfriend, Baez, son of a Nigerian diplomat, is injured in the crash, Cora—who is the epitome of Black excellence—cuts her former best friend off and becomes the school’s new queen bee. Indian immigrant Georgie is forced to attend weight loss camp by her parents over the summer and, after losing a lot of weight, is determined to reinvent herself—or at least figure out who she really is. Georgie’s new look puts a target on her back, and she becomes the first in a long line of victims of toxic rumors and lies. Told in four parts—“The Rumor,” “The Lies,” “The Game,” and “The Truth”—the book follows the three protagonists who alternate in narrating chapters. Perfectionism, parental pressure, and the desire for popularity are issues at the heart of this story featuring a diverse cast of characters. Despite the gossipy tone and fast pace, serious issues are explored.
An emotional and engaging drama full of twists and turns. (content warning) (Fiction. 14-18)Pub Date: March 1, 2022
ISBN: 978-1-368-01414-4
Page Count: 480
Publisher: Disney-Hyperion
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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by Dhonielle Clayton ; illustrated by Khadijah Khatib
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by Dhonielle Clayton ; illustrated by Khadijah Khatib
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by Adam Silvera ‧ RELEASE DATE: May 6, 2025
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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