Cellular-DNA science and aching hearts intertwine in a compelling SF sequel.
On a human-colonized planet, a rebel settler finds her loyalties tested by her ex, her new pilot/lover, and her small son who has unique DNA qualities.
Fedorak’s sequel to her SF debut, Children of Alpheios (2023), unfolds three years later. Hero Alina DeHerte is a rebel colonist on the distant planet Eamine, peopled by genetically modified humans, where the climate is harsh and native wildlife sometimes dangerous. But another threat is an authoritarian system under Chancellor Jade Graylin, leader of the settlement city Alpheios. Her regime’s economic partner, the genetic-engineering corporation Genodyne, is exploiting a generation of children (“Origins”) born on the planet, fated to develop astounding powers—and one of them is Alina’s epileptic son, Mandin. Defying the exploitation of their offspring, Alina and other dissidents fled to establish their own haven, Evesborough. The strife led to the end of Alina’s relationship with Alpheios’ law-and-order security chief Chance—who is Graylin’s son— even though he enabled her escape with Mandin. Now, Alina is engaged to an Evesborough man and Mandin’s seizures are controlled with medication. But Evesborough still struggles for supplies. In Alpheios, a civilian uprising brews after a reckless Genodyne rollout of an anti-aging drug unleashes a disease, and one of the victims is Alina’s mother. Alina’s DNA makeup points to a cure, and Chance wants a reunion with his son. Reluctantly, Alina agrees to a temporary visit to the city in a gene-science exchange deal. Amid the intrigue, Chance sees an opportunity to rekindle his ex’s ardor. Fedorak must keep a lot of balls in the air and plates (or petri dishes) spinning, and newcomers to the saga may be somewhat confused by the ensemble cast and the machinations. In the foliage are such compelling creations as “kronosapiens,” Genodyne’s mistreated, artificially evolved humanoids, both beastly and disturbingly advanced, and a hint of something even darker, “an ancient and foul entity lurking somewhere down tunnel four,” kept offstage this time. But, at least until a literally explosive final act, the double-helix intricacies of relationships and emotions have a priority over action and weaponry. Though the novel leaves many narrative threads unresolved, this is quality SF from an exciting, fresh voice in the genre.
Cellular-DNA science and aching hearts intertwine in a compelling SF sequel.Pub Date: Jan. 20, 2025
ISBN: 9781509259021
Page Count: 402
Publisher: Wild Rose Press
Review Posted Online: Dec. 4, 2024
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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