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ONE SNOWY DAY

Although far from unique, this gambol allows parents and children room to talk about seasonal weather and activities.

The delights of snow-day snow-play in a small town are enumerated in this early concept book for tots.

Snow falls overnight. In early morning, one puppy barks and two small children wake up. All three smile as they look out the window onto the snow-covered grass. Rhyming text sets a gentle pace as they venture outside: The humans pull on four boots, then the trio pulls their sled past five pine trees. In this childcentric tale (no adults in sight), they are soon joined by a diverse cast of six friends eager to sled, make snow angels, and build snowmen. (The two protagonist children have light-brown skin and straight, blue hair.) The spelled-out numbers appear in large colorful type, but numerals are not included—a lapse. Blue and white dominate the wintry palette, and the white landscape gives readers’ eyes plenty of space to focus on the items named and counted. A cozy feel is created by a series of soft, rounded shapes: puppy’s bed, children’s heads, snowballs, and pond. As the activities wind down, readers begin to count backward until the three are home again. The siblings enjoy two cups of cocoa and one puppy starts to doze.

Although far from unique, this gambol allows parents and children room to talk about seasonal weather and activities. (Picture book. 3-6)

Pub Date: Oct. 1, 2018

ISBN: 978-1-4926-4586-3

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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