A chipper frolic through nature’s colorful palette.
An extended family gathers on the porch of a country home to enjoy cool lemonade and time together on a hot summer day.
Two kids run off to gleefully explore the colorful countryside. However, when a sudden summer storm pops up, they must race home to avoid being caught in the downpour. While many first concept books that teach colors use a repetitive format (simply introducing objects and their corresponding colors without much emphasis on story), this book weaves color into an already engaging plot. The pace of the rhyming text perfectly matches the action; it meanders a bit as the family members arrive and greet one another in the hot sun and then quickens as the storm approaches. Both text and illustrations are celebratory of rural life in general; the mentions of peaches and egrets call to mind the southeastern United States specifically. The full-bleed illustrations are lively and saturated. They neatly depict the menacing darkness that takes over the sky with the arrival of a summer storm without becoming scary. However, the exact relationships of the characters depicted are unclear at times (there are three children, so why do two leave one behind?), which unfortunately confuses the text rather than enhancing it. Still, the book is well-crafted and appealing, and the conscientious attention to diversity in both race and family structure makes it noteworthy.
A chipper frolic through nature’s colorful palette. (Picture book. 3-7)Pub Date: May 22, 2018
ISBN: 978-0-316-37094-3
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
A comical, fresh look at crayons and color.
Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.
Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.
A comical, fresh look at crayons and color. (Picture book. 3-7)Pub Date: June 27, 2013
ISBN: 978-0-399-25537-3
Page Count: 40
Publisher: Philomel
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
SEEN & HEARD
SEEN & HEARD
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