Younger brother of a talented witch, Cat seems to be the only guy on the block—and, later, the only resident of the strange castle to which the two orphaned children are transported—who can't do magic. For a while after their move, Sister Gwendolen raises all sorts of supernatural hell in protest against her less-than-fawning treatment at the hands of Chrestomanci, the aristocratic lord of the castle. But she's no match for the powers there, and when she finds she can't rule this world, she takes off for another. (There are nine worlds in all, we learn, and Cat's is a bit different from ours.) And after Gwendolen's disappearance, Cat learns that he is one of a very rare breed of nine-lived enchanters, that his special gifts have marked him as a future Chrestomanci, and that Gwendolen has been using his powers all along to perform her wicked tricks. Jones' talents are slighted in a synopsis, for she writes with exceptional finesse—whether establishing the atmosphere of the castle, orchestrating large confrontations, or filling in the domestic scene with vital incidentals. But the framing ideas are weak. The notion of alternate worlds with duplicate populations is commonplace, if functional, and not worth all her meticulous, anticlimactic unraveling. And the revelation that the enigmatic Chrestomanci is a "government employee," charged with keeping other witches in check so they don't muck up the world (this in a world where only the rich have cars), is both disappointingly tame and disturbingly paternalistic.
Pub Date: Feb. 27, 1978
ISBN: 006447268X
Page Count: 612
Publisher: Greenwillow Books
Review Posted Online: April 30, 2012
Kirkus Reviews Issue: Feb. 1, 1978
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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