Younger brother of a talented witch, Cat seems to be the only guy on the block—and, later, the only resident of the strange castle to which the two orphaned children are transported—who can't do magic. For a while after their move, Sister Gwendolen raises all sorts of supernatural hell in protest against her less-than-fawning treatment at the hands of Chrestomanci, the aristocratic lord of the castle. But she's no match for the powers there, and when she finds she can't rule this world, she takes off for another. (There are nine worlds in all, we learn, and Cat's is a bit different from ours.) And after Gwendolen's disappearance, Cat learns that he is one of a very rare breed of nine-lived enchanters, that his special gifts have marked him as a future Chrestomanci, and that Gwendolen has been using his powers all along to perform her wicked tricks. Jones' talents are slighted in a synopsis, for she writes with exceptional finesse—whether establishing the atmosphere of the castle, orchestrating large confrontations, or filling in the domestic scene with vital incidentals. But the framing ideas are weak. The notion of alternate worlds with duplicate populations is commonplace, if functional, and not worth all her meticulous, anticlimactic unraveling. And the revelation that the enigmatic Chrestomanci is a "government employee," charged with keeping other witches in check so they don't muck up the world (this in a world where only the rich have cars), is both disappointingly tame and disturbingly paternalistic.
Pub Date: Feb. 27, 1978
ISBN: 006447268X
Page Count: 612
Publisher: Greenwillow Books
Review Posted Online: April 30, 2012
Kirkus Reviews Issue: Feb. 1, 1978
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
A dark and gripping feminist tale.
A young woman faces her past to discover the truth about one of her nation’s heroes.
When Effy Sayre, the only female architecture student at her university in Llyr, wins the competition to design Hiraeth Manor for the estate of the late Emrys Myrddin, national literary figure and her favorite author, it is the perfect opportunity to leave behind a recent trauma. She arrives to find the cliffside estate is literally crumbling into the ocean, and she quickly realizes things may not be as they seem. Preston, an arrogant literature student, is also working at the estate, gathering materials for the university’s archives and questioning everything Effy knows about Myrddin. When Preston offers to include her name on his thesis—which may allow her to pursue the dream of studying literature that was frustrated by the university’s refusal to admit women literature students—Effy agrees to help him. He’s on a quest for answers about the source of Myrddin’s most famous work, Angharad, a romance about a cruel Fairy King who marries a mortal woman. Meanwhile, Myrddin’s son has secrets of his own. Preston and Effy start to suspect that Myrddin’s fairy tales may hold more truth than they realize. The Welsh-inspired setting is impressively atmospheric, and while some of the mythology ends up feeling extraneous, the worldbuilding is immersive and thoughtfully addresses misogyny and its effects on how history is written. Main characters are cued white.
A dark and gripping feminist tale. (Fantasy. 14-18)Pub Date: Sept. 19, 2023
ISBN: 9780063211506
Page Count: 384
Publisher: HarperTeen
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
