This latest entry in Jones' Chrestomanci series posits the surfacing of young witches in the closed, confined world of a traditional (though co-ed) boarding school, in a time after witchcraft has been stamped out but inquisitors are still afoot. A witch's gifts commonly show themselves around age eleven, which is just what happens here—to the terror and discomfort of Charles, who holds his finger to the candle flame to remind himself that "burning hurts"; the temporary joy of fat pariah Nan, who's delighted with her change in status; and the likely enjoyment of readers treated to the boarding-school intrigues and spellbound indiscretions. With the coming out of Nan and Charles, relationships shift, all hell breaks loose, more witches (one of them a teacher) reveal themselves, and when things get too hot the arch-enchanter Chrestomanci shows up, summoned by spell from a parallel world. This dapper gentleman settles in at the school, posing as divisional inquisitor and occasioning more shakeups, some of them quite unwelcome to the witches. There is also much exposition about the many parallel worlds of the series: The one in the story, where witchcraft is common but illegal, seems to be a redundant twin of another (ours?) . . . to which it is joined in the explosive classroom finale. And so the whole business is negated in a pouf of Guy Fawkes smoke—but it's larkish fun while the sparks fly.
Pub Date: Sept. 20, 1982
ISBN: 0060298790
Page Count: 198
Publisher: Greenwillow Books
Review Posted Online: April 30, 2012
Kirkus Reviews Issue: Sept. 1, 1982
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A pleasing premise for book lovers.
A fantasy-loving bookworm makes a wonderful, terrible bargain.
When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)
A pleasing premise for book lovers. (Fantasy. 9-12)Pub Date: May 2, 2023
ISBN: 9780316448222
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
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