by Diane Charlotte Lampert ; illustrated by Éric Puybaret ‧ RELEASE DATE: May 3, 2016
It is an earned triumph when Love prevails.
A gentle parable of how Mother Nature introduced human foibles and strengths to the world.
Based on a 2004 musical composition by renowned lyricist Lampert and jazz legend Wynton Marsalis, this glimpse into humankind is both fragile and deep. Puybaret’s acrylic illustrations on linen set a dreamlike mood. Mother Nature, draped in gossamer blossoms and reaching root tendrils, watches over all that grows and walks the Earth. She must also change the seasons—turning “noses red and cheeks rosy” during winter and being sure to shake “the sand from dreams” and “honey-up the bees” when the time is right. But for all her responsibilities, Mother Nature is lonely. She longs for children of her own. So she makes her first child, Fear (a name that is pleasant because it rhymes with “dear”). But when she looks to humankind to care for Fear while she is busy spinning the seasons, she sees cowardice has spread. To restore balance, she creates other children: Envy, Hate, Greed, and Fickle; each one no better than the last. Luckily, through wise council with the winds, she finally creates two tiny twins, both named Love. Though the prose has exquisite touches, some delicate moments seem buried in excess. However, Puybaret’s metaphorical illustrations are a good match, depicting a multicultural cast of humans aping the actions of Mother Nature’s ill-conceived children amid stylized backdrops.
It is an earned triumph when Love prevails. (Picture book. 5-10)Pub Date: May 3, 2016
ISBN: 978-1-4169-5373-9
Page Count: 48
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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