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THE ADVENTURES OF ROBO-KID

A super blend of everyday courage, the inner lives of readers, and rising to the challenge of doing something difficult.

A comic-book hero and a real boy share an adventure.

In the opening pages, Robo-Kid successfully averts a disaster. Then the frames of a comic book give way to the surroundings of a young, light-skinned boy absorbed in the story as a voice calls, “Ready for your swimming lesson, Henry?” Henry slams the comic book closed and tucks it into his backpack, and Robo-Kid rubs their head. “I hate when they do that,” remarks Robo-Kid, a round-headed figure who appears to be made of interlocking blocks. As Henry approaches the community center, Robo-Kid complains to their robot family at the dinner table—“Why can’t I be a superhero in the real world?” The juxtaposition of the comic-book frames of Robo-Kid’s experiences with spreads depicting Henry’s is excellent, with deGroat’s crisp, engaging art rendering both characters’ worlds in clear lines and bright colors. Robo-Kid senses that they are needed—it’s evident from Henry’s worried face that he’s not entirely confident about swimming—and hops into Henry’s world. When Robo-Kid leaps into the pool, it’s Henry to the rescue. An image of a triumphant Henry holding his swimming certificate and the account Robo-Kid gives to the family about their adventure in the “real world” emphasize the heroics of both characters, each entitled to feel successful. (This book was reviewed digitally.)

A super blend of everyday courage, the inner lives of readers, and rising to the challenge of doing something difficult. (Picture book. 4-8)

Pub Date: June 28, 2022

ISBN: 978-0-8234-4976-7

Page Count: 32

Publisher: Neal Porter/Holiday House

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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