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IN THE COUNTRY WE LOVE

MY FAMILY DIVIDED

A moving, humanizing portrait of the collateral damage caused by America’s immigration policy.

Orange Is the New Black actress Guerrero delivers an affecting tale of a childhood lived in the margins.

Born to undocumented Colombian immigrants upon their arrival stateside, the author quickly learned not to draw attention to herself or her parents. Mami and Papi, lovingly detailed in colloquial and well-paced prose, were hardworking and doting parents, deeply supportive of the author’s interest in the arts. Growing older, Guerrero noticed the small differences that set her family apart—e.g., the way her father’s personality shrunk in public or the terror inspired by an unexpected guest at the door. Mami and Papi struggled tirelessly to remedy their immigration status, but the family’s worst fears were realized when the author was 14: she arrived home from school to an empty house, discovering her parents had been deported just hours earlier. In the book’s strongest passages, Guerrero recounts the fear, shame, and instability that followed. Taken in by a family friend, she found solace in the performing arts while her relationship with her parents grew more fractured over time and distance. As she attempted to define herself and her future, Guerrero grappled with a number of serious financial obstacles and mental health issues, further deepening the rift in familial ties. The author’s candor in chronicling the lowest moments of her life reads like an urgent confessional. Indeed, it wasn’t until she shared her story that the healing—and her acting career—could finally begin. Readers looking for intricate details about Guerrero’s time on set will be disappointed; the sections recounting her Hollywood experiences are rushed, often cluttered with unnecessary detail. The author’s greatest strength lies in her ability to advocate for undocumented immigrants and others affected by immigration status: “I’ve written the book that I wish I could have read when I was that girl.”

A moving, humanizing portrait of the collateral damage caused by America’s immigration policy.

Pub Date: May 3, 2016

ISBN: 978-1-62779-527-2

Page Count: 272

Publisher: Henry Holt

Review Posted Online: March 26, 2016

Kirkus Reviews Issue: April 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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