by Diane Hoyt-Goldsmith & photographed by Lawrence Migdale ‧ RELEASE DATE: April 15, 1993
An engaging look at the history, traditional culture, and current way of life of our second-largest Native American group, narrated by Bridget, a ten-year-old from northeastern Oklahoma. Beginning with the ``Trail of Tears'' (the removal of the Cherokees from their Eastern homelands), the book describes present-day tribal organization and introduces Bridget's family and the traditional skills practiced by her grandparents. There's an interesting discussion of the Cherokee language, with a display of its graceful syllabary and several Cherokee words, and a legend about a boastful possum; the author also highlights the stomp dance, an important ceremonial gathering. An excellent addition to this team's highly regarded series of photoessays on ethnic groups (Hoang Anh: A Vietnamese-American Boy, 1992). Many good color photos; map; glossary; index. (Nonfiction. 7-11)
Pub Date: April 15, 1993
ISBN: 0-8234-0995-3
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1993
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by Diane Hoyt-Goldsmith & photographed by Lawrence Migdale
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by Diane Hoyt-Goldsmith & photographed by Lawrence Migdale
BOOK REVIEW
by Diane Hoyt-Goldsmith & photographed by Lawrence Migdale
by Julia Alvarez ‧ RELEASE DATE: March 1, 2001
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Julia Alvarez ; illustrated by Raúl Colón
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by Julia Alvarez ; illustrated by Sabra Field
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by Monalisa DeGross & illustrated by Cheryl Hanna ‧ RELEASE DATE: June 30, 1994
Donavan's friends collect buttons and marbles, but he collects words. ``NUTRITION,'' ``BALLYHOO,'' ``ABRACADABRA''—these and other words are safely stored on slips of paper in a jar. As it fills, Donavan sees a storage problem developing and, after soliciting advice from his teacher and family, solves it himself: Visiting his grandma at a senior citizens' apartment house, he settles a tenants' argument by pulling the word ``COMPROMISE'' from his jar and, feeling ``as if the sun had come out inside him,'' discovers the satisfaction of giving his words away. Appealingly detailed b&w illustrations depict Donavan and his grandma as African-Americans. This Baltimore librarian's first book is sure to whet readers' appetites for words, and may even start them on their own savory collections. (Fiction. 8-11)
Pub Date: June 30, 1994
ISBN: 0-06-020190-8
Page Count: 72
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1994
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by Monalisa DeGross & illustrated by Amy Bates
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