A sensitive rendering of a child’s response to a loved one’s addiction.
A young girl tries to help her older brother, who recently began using drugs.
Dylan used to play with Fiona and comfort his little sister when mean kids teased her, but now he flakes out on taking her to the museum, and she spots him meeting up with a mysterious stranger. He argues with their parents and steals money. After Fiona sees him shoving something into his desk, she speaks up. When their parents realize that Dylan’s been using drugs, they explain what’s going on and arrange for him to enter rehab. Notably, this book makes clear that while drug addiction is harmful, those who use drugs aren’t bad people. The story also addresses the important elements of forgiveness and responsibility: Fiona shows a willingness to believe in her brother’s recovery, and Dylan apologizes for and takes ownership of his past mistakes. The recurring image of a large, blue bedroom door separating Fiona from her brother’s downward spiral acts as a symbol for his secrecy and her lack of understanding. Her emotional reactions range from loneliness to fear, gut-deep tension, guilt, worry, doubt, and optimism, with each one clearly portrayed through Fiona’s facial expressions. Dylan’s drug use is never visually depicted; Mom and Dad refer to it as “using drugs” as well as an “illness” and a “sickness.” Fiona and her family present white.
A sensitive rendering of a child’s response to a loved one’s addiction. (author’s note, further resources) (Picture book. 4-8)Pub Date: Oct. 3, 2024
ISBN: 9780807552575
Page Count: 32
Publisher: Whitman
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
A friendship tale with solid messaging and plenty of fun sounds to share.
In this latest in the series, Little Blue Truck, driven by pal Toad, is challenged to a countryside race by Racer Red, a sleek, low-slung vehicle.
Blue agrees, and the race is on. Although the two start off “hood to hood / and wheel to wheel,” they switch positions often as they speed their way over dusty country roads. Blue’s farm friends follow along to share in the excitement and shout out encouragement; adult readers will have fun voicing the various animal sounds. Short rhyming verses on each page and several strategic page turns add drama to the narrative, but soft, mottled effects in the otherwise colorful illustrations keep the competition from becoming too intense. Racer Red crosses the finish line first, but Blue is a gracious loser, happy to have worked hard. That’s a new concept for Racer Red, who’s laser-focused on victory but takes Blue’s words (“win or lose, it’s fun to try!”) to heart—a revelation that may lead to worthwhile storytime discussions. When Blue’s farm animal friends hop into the truck for the ride home, Racer Red tags along and learns a second lesson, one about speed. “Fast is fun, / and slow is too, / as long as you’re / with friends.”
A friendship tale with solid messaging and plenty of fun sounds to share. (Picture book. 4-7)Pub Date: March 25, 2025
ISBN: 9780063387843
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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