by Diane O'Neill ; illustrated by Brizida Magro ‧ RELEASE DATE: Sept. 1, 2021
Eminently helpful, affirming, and necessary.
A trip to a food pantry allows a child to both give and receive help.
While many children’s books about food pantries and soup kitchens focus on how children can help others, this story places a child in need at its center. Molly (who presents as a girl of color with light brown skin and full, wavy brown hair) and her mother (who has lighter skin and straight, dark hair) are experiencing food insecurity, as evidenced by the paltry items in the illustrations of their kitchen and Molly’s grumbling belly when she goes to bed at night. Her mother tells her that they are going to get groceries at a food pantry—a place they’ve never before visited. When they arrive, they join a line of people waiting, including Molly’s classmate Caitlin, who is embarrassed to be seen there. “Everybody needs help sometimes,” Molly’s mother has told her, and she finds Caitlin’s evident sense of shame confusing. Molly passes time by drawing pictures, an activity Caitlin joins when others in line request drawings. They come to see their art making as a way of helping others, just as the good food in the food pantry, including a treat of cookies, helps them. Magro’s naïve illustrations emphasize her racially diverse characters’ faces, expressions of concern far fewer than smiles in emphasis of the book’s theme.
Eminently helpful, affirming, and necessary. (author's note) (Picture book. 3-8)Pub Date: Sept. 1, 2021
ISBN: 978-0-8075-7236-8
Page Count: 32
Publisher: Whitman
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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by Diane O'Neill ; illustrated by Anastasiya Kanavaliuk
by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Riel Nason ; illustrated by Byron Eggenschwiler
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