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RAISING SWEETNESS

The kind sheriff of Possum Trot (Saving Sweetness, 1998, not reviewed) has taken a small platoon of orphans under his inept wing to get them away from the evil hands of Mrs. Sump, the orphanage director who “was meaner than a skilletful of rattlesnakes.” The sheriff has a big heart but is woefully short of skills when it comes to cooking and housework (he washes the windows with butter, for instance); he can’t read, which makes it hard for him to decipher the letter he has been sent. Sweetness, one of his charges, takes it upon herself to learn to read (through a window she secretly audits classes), and her answer to the letter’s query brings to her family its culinary salvation, and knits up the sheriff’s broken heart as well. Stanley paints the sheriff as an utter goofball—as does Karas, to fine effect in mixed-media paintings—but deeply smitten by his adopted brood and always willing to try something new to make their lives better. Bonehead or not, the sheriff is an agent for compassion and sharing, rare qualities not to be trifled with. (Picture book. 5-10)

Pub Date: March 1, 1999

ISBN: 0-399-23225-7

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1998

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BECAUSE YOUR DADDY LOVES YOU

Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)

Pub Date: May 23, 2005

ISBN: 0-618-00361-4

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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THE LEMONADE WAR

From the Lemonade War series , Vol. 1

Told from the point of view of two warring siblings, this could have been an engaging first chapter book. Unfortunately, the length makes it less likely to appeal to the intended audience. Jessie and Evan are usually good friends as well as sister and brother. But the news that bright Jessie will be skipping a grade to join Evan’s fourth-grade class creates tension. Evan believes himself to be less than clever; Jessie’s emotional maturity doesn’t quite measure up to her intelligence. Rivalry and misunderstandings grow as the two compete to earn the most money in the waning days of summer. The plot rolls along smoothly and readers will be able to both follow the action and feel superior to both main characters as their motivations and misconceptions are clearly displayed. Indeed, a bit more subtlety in characterization might have strengthened the book’s appeal. The final resolution is not entirely believable, but the emphasis on cooperation and understanding is clear. Earnest and potentially successful, but just misses the mark. (Fiction. 8-10)

Pub Date: April 23, 2007

ISBN: 0-618-75043-6

Page Count: 192

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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