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DIARY OF AN ECO-OUTLAW

AN UNREASONABLE WOMAN BREAKS THE LAW FOR MOTHER EARTH

In her down-home, sassy style, an environmental activist tells of her latest battles against polluting corporations.

Longtime CodePink activist Wilson’s sequel to An Unreasonable Woman: The True Story of Shrimpers, Politics, Polluters, and the Fight for Seadrift, Texas (2005) continues the saga of her direct actions against those who raise her ire. Still outraged by the 1984 Bhopal disaster caused by Union Carbide (now a division of Dow Chemical), she chained herself to a 75-foot oxide tower at Dow, where she hung a banner reading “Dow Responsible for Bhopal.” Removed and arrested, she writes vividly of her treatment and the grim conditions at the county jail. Out on bond, she headed off in search of Warren Anderson, Union Carbide’s chief executive at the time of the Bhopal disaster, first in Vero Beach, Fla., and then in Bridgehampton, N.Y.—a largely futile adventure, but one that she relates with great gusto. Wilson also proudly describes her noisy protest at a Texas fundraiser attended by then–Vice President Dick Cheney, where, disguised as a Republican donor, she screamed “Corporate Greed Kills” repeatedly until being thrown out, arrested and jailed. That she has deep skepticism of the EPA’s criminal investigators is shown in her rather rambling story of working with whistleblowers who have inside information about hazardous conditions and cover-ups at Formosa Plastics, a local chemical plant. Perhaps her most dramatic public action was her appearance at the Senate hearings where Tony Hayward, then chief executive of BP, was testifying about the Deep Horizon oil spell. She poured a half-gallon of Karo syrup (which resembles crude oil) over herself before being removed and arrested yet again. At the book’s end, the author is in Taiwan, attempting to present CodePink’s negative Black Planet Award to the family heading Formosa Plastics. A folksy memoir from a gutsy, determined, well-connected gadfly who can write up a storm when not storming the barricades.

 

Pub Date: May 17, 2011

ISBN: 978-1-60358-215-5

Page Count: 256

Publisher: Chelsea Green

Review Posted Online: April 3, 2011

Kirkus Reviews Issue: April 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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