by Diane Wolkstein & illustrated by Juan Wijngaard ‧ RELEASE DATE: Feb. 1, 1996
Wolkstein (Step By Step, 1994, etc.) writes, in diary form, the story of Esther, the Jewish orphan who became queen of Persia and kept her identity a secret until her people were in danger of destruction at the hands of the prime minister, Haman. At great risk, she prevailed upon King Ahasuerus (Xerxes I) to modify the death decree to allow the Jews to defend themselves against any who attacked them. Their survival and Haman's downfall are celebrated in the festival of Purim. The diary format confers immediacy; readers share the loneliness, fears, and determination of this legendary heroine of nearly 25 centuries ago. Wijngaard has illustrated sumptuous court settings before, in Selina Hastings's Sir Gawain and the Loathly Lady (1985). As in that work, his jewel- toned gouache paintings are a virtual museum of period dress, decoration, and architecture; a six-pointed star motif is worked into many of the geometric backgrounds. Elegant and enlightening. (pronunciation guide, notes) (Picture book. 7-11)
Pub Date: Feb. 1, 1996
ISBN: 0-688-12127-6
Page Count: 40
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1995
Share your opinion of this book
More by Diane Wolkstein
BOOK REVIEW
adapted by Diane Wolkstein & illustrated by Bronwyn Bancroft
BOOK REVIEW
by Diane Wolkstein & illustrated by Steve Johnson & Lou Fancher
BOOK REVIEW
adapted by Diane Wolkstein & illustrated by Jesse Sweetwater
by Julia Alvarez ‧ RELEASE DATE: March 1, 2001
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Share your opinion of this book
More by Julia Alvarez
BOOK REVIEW
by Julia Alvarez ; illustrated by Raúl Colón
BOOK REVIEW
by Julia Alvarez ; illustrated by Sabra Field
BOOK REVIEW
by Meredith Hooper & illustrated by Bee Willey ‧ RELEASE DATE: June 1, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Share your opinion of this book
More by Meredith Hooper
BOOK REVIEW
by Meredith Hooper & illustrated by Bee Willey
BOOK REVIEW
by Meredith Hooper & illustrated by Stephen Biesty
BOOK REVIEW
by Meredith Hooper & illustrated by Stephen Biesty
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.