A failing farmer’s fortune changes when Joy, literally, comes into his life. Hatched to a pair of seemingly ordinary geese named Misery and Sorrow, the golden-yellow gosling quickly earns her uplifting moniker, for not only do Farmer Skint and his family get an immediate rush of pleasure from petting her, but suddenly money starts rolling in from lottery and race-track winnings. In no time, the Skints, and their Woebegone Farm, are back in business. Kronheimer’s relaxed pen-and-ink drawings depict a smiling young rural family and a small but self-confident-looking goose who takes up residence in the farmhouse until it’s time to lay eggs (golden ones, to be sure) of her own. Aside from a fox’s brief and fatal walk-on, there isn’t much tension in the plot, but readers in search of farmyard tales featuring naturalistically rendered animals, good-hearted humans, hints of magic and, for good measure, a whiff of metaphor, will come away happy. (Fiction. 9-11)
Pub Date: March 8, 2005
ISBN: 0-375-82984-9
Page Count: 128
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2005
A waggish tale with a serious (and timely) theme.
An age-old rivalry is reluctantly put aside when two young vacationers are lost in the wilderness.
Anthropomorphic—in body if definitely not behavior—Dogg Scout Oscar and pampered Molly Hissleton stray from their separate camps, meet by chance in a trackless magic forest, and almost immediately recognize that their only chance of survival, distasteful as the notion may be, lies in calling a truce. Patterson and Grabenstein really work the notion here that cooperation is better than prejudice founded on ignorance and habit, interspersing explicit exchanges on the topic while casting the squabbling pair with complementary abilities that come out as they face challenges ranging from finding food to escaping such predators as a mountain lion and a pack of vicious “weaselboars.” By the time they cross a wide river (on a raft steered by “Old Jim,” an otter whose homespun utterances are generally cribbed from Mark Twain—an uneasy reference) back to civilization, the two are BFFs. But can that friendship survive the return, with all the social and familial pressures to resume the old enmity? A climactic cage-match–style confrontation before a worked-up multispecies audience provides the answer. In the illustrations (not seen in finished form) López plops wide-eyed animal heads atop clothed, more or less human forms and adds dialogue balloons for punchlines.
A waggish tale with a serious (and timely) theme. (Fantasy. 9-11)Pub Date: April 1, 2019
ISBN: 978-0-316-41156-1
Page Count: 320
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
Reports of children requesting rewrites of The Reluctant Dragon are rare at best, but this new version may be pleasing to young or adult readers less attuned to the pleasures of literary period pieces. Along with modernizing the language—“Hmf! This Beowulf fellow had a severe anger management problem”—DiTerlizzi dials down the original’s violence. The red-blooded Boy is transformed into a pacifistic bunny named Kenny, St. George is just George the badger, a retired knight who owns a bookstore, and there is no actual spearing (or, for that matter, references to the annoyed knight’s “Oriental language”) in the climactic show-fight with the friendly, crème-brulée-loving dragon Grahame. In look and spirit, the author’s finely detailed drawings of animals in human dress are more in the style of Lynn Munsinger than, for instance, Ernest Shepard or Michael Hague. They do, however, nicely reflect the bright, informal tone of the text. A readable, if denatured, rendition of a faded classic. (Fantasy. 9-11)
Pub Date: Aug. 5, 2008
ISBN: 978-1-4169-3977-1
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2008
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