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THE ROUNDHILL

A solitary teenager discovers some distinguished company sharing his private place in this beguilingly matter-of-fact ghost story. The Cotswolds hilltop visible from Evan’s bedroom window has always been special to him, but never so much as after the day he climbs up to survey the surrounding countryside and finds a child with antique dress and manners sitting next to him. Her name is Alice, she says, before vanishing as mysteriously as she came. Being reasonably well-read, he recognizes her almost immediately—as readers will, if not from her description, then from Bailey’s Tenniel-style illustrations. She returns on subsequent days, to borrow his binoculars, play croquet (with wooden mallets), and make odd, past-tense pronouncements. Before bidding him goodbye, she tells him that she once stayed in the room that is now his, and also loved the hilltop. King-Smith ends on a warmly sentimental note, fast-forwarding more than six decades to a scene in which Evan, now an old man, takes his 12-year-old granddaughter up the hill to tell her about the encounter. Aside from its literary pleasures, this perfect little jewel of a tale will prompt readers to think about the places that are special in their own lives. (Fiction. 10-13)

Pub Date: Nov. 1, 2000

ISBN: 0-517-80047-0

Page Count: 96

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2000

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OWEN FOOTE, MONEY MAN

In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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KING MIDAS AND THE GOLDEN TOUCH

PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)

Pub Date: April 1, 1999

ISBN: 0-688-13165-4

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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