WHO GETS BELIEVED?

The author of The Ungrateful Refugee, a Kirkus Prize finalist, probes the boundary between belief and disbelief.

As she did in her previous book, Nayeri dances smoothly between memoir and the stories of others, drawing on her own formative years as an Iranian seeking—and being granted—asylum in the U.S. but moving beyond the experiences of refugees to explore other circumstances when belief and disbelief collide, often catastrophically: her childhood skepticism of the glossolalists in her mother’s ecstatic church, the interrogation techniques that too often lead the innocent to falsely confess to crimes, her McKinsey training in the cultivation of trust in her clients, staged Soviet films of survivors of Nazi mass shootings, and her refusal to accept her partner's brother’s mental illness. The author braids the story of a Sri Lankan torture survivor seeking asylum in the U.K. throughout the narrative as well as inevitable references to Kafka, their effectiveness unblunted by familiarity. Nayeri draws on both the work of organizations such as the Innocence Project and Great Britain’s Freedom From Torture and the writings of thinkers including Blaise Pascal, Jacques Derrida, Susan Sontag, and, most extensively, Simone Weil. She ranges from her own uncertain faith to the cruelty of a culture that insists on “misfits and oddballs and quirky people” in works of fiction but strict conformity to a predetermined performance of credibility in the real world. Nayeri writes elegantly but a little claustrophobically. Readers spend a great deal of time with the author, her partner, their daughter, and the friends who sheltered through Covid-19 lockdown with them in a small town in Provence. She grapples with epistemology and with her partner’s acute distress at his brother’s illness, juxtaposing her private anguish with her examination of the suffering of others.

An unflinching, compelling look at how “calcified hearts believe”—and disbelieve.