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SUMMER VACATION, HERE I COME!

From the Here I Come! series

Summertime fun.

Summer vacation is the stuff children’s dreams are made of.

This collection of verse begins with that first day a child can sleep in instead of being woken up for school by the alarm clock (“BEEP-BEEP-SNOOZE”) and ends with the first day back at school. In between, full-color cartoon illustrations and short, upbeat poems, usually one per page, explore how children in diverse communities spend their summers. They line up on the sidewalk after hearing “the jingle jangle of the ice-cream truck!” They cool off by playing on a backyard slip 'n slide or by visiting the neighborhood pool, the lake, or the beach (where a child builds a sand castle only to see it washed away and another listens to a seashell). Summer also means a family road trip with all-too-frequent rest stops and a motel stay with treats like a giant TV, “teensy soaps and teensy shampoo / and beds made for bouncing.” A trip to an amusement park is captured in a creative shape poem about the thrills of a log ride and playful font changes that emphasize the ever changing perspective found on a Ferris wheel. Summer also includes going to camp as well as camping out in the backyard and enjoying s’mores and an astronomy lesson from Grandpa. As in the creators’ other Here I Come! books, the verse is peppy, with details sure to get kids jazzed, brought to life by the exuberant cartoon art. (This book was reviewed digitally.)

Summertime fun. (Picture book/poetry. 4-8)

Pub Date: April 25, 2023

ISBN: 978-0-593-38721-4

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Jan. 24, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE CRAYONS' CHRISTMAS

From the Creative Creature Catcher series

Haphazard but jolly enough for one outing; it probably won’t last for more.

A flurry of mail addressed to Duncan’s crayons ushers in the Christmas season in this novelty spinoff of the bestselling The Day the Crayons Quit (2013) and The Day the Crayons Came Home (2015).

Actual cards and letters are tucked into envelopelike pouches pasted to the pages; these are joined in some cases by other ephemera for a package that is likely to invite sudden, intense play followed by loss and/or damage that will render the book a disappointment to reread. That’s probably OK, as in contrast to the clever story that kicked this small series off, this outing has a hastily composed feel that lacks cohesion. The first letter is addressed to Peach from Mom and includes a paper doll of the “naked” (de-wrappered) crayon along with a selection of tabbed changes of clothing that includes a top hat and tails and a bikini top and bottom. Peach’s implied gender fluidity does not mitigate the unfortunate association of peach with skin color established in the first book. The sense of narrative improvisation is cemented with an early page turn that takes the crayons from outdoors snow play to “Feeling…suddenly very Christmas-y, the crayons headed inside.” Readers can unpack a box of punch-out decorations; a recipe for gluten-free Christmas cookies that begins “go to store and buy gluten-free cookies”; a punch-out dreidel (turns out Grey is Jewish); a board game (“six-sided die” not included); and a map of Esteban (aka Pea Green) and Neon Red’s travels with Santa.

Haphazard but jolly enough for one outing; it probably won’t last for more. (Novelty. 4-8)

Pub Date: Oct. 15, 2019

ISBN: 978-0-525-51574-6

Page Count: 52

Publisher: Penguin Workshop

Review Posted Online: Aug. 17, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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