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SUMMER VACATION, HERE I COME!

From the Here I Come! series

Summertime fun.

Summer vacation is the stuff children’s dreams are made of.

This collection of verse begins with that first day a child can sleep in instead of being woken up for school by the alarm clock (“BEEP-BEEP-SNOOZE”) and ends with the first day back at school. In between, full-color cartoon illustrations and short, upbeat poems, usually one per page, explore how children in diverse communities spend their summers. They line up on the sidewalk after hearing “the jingle jangle of the ice-cream truck!” They cool off by playing on a backyard slip 'n slide or by visiting the neighborhood pool, the lake, or the beach (where a child builds a sand castle only to see it washed away and another listens to a seashell). Summer also means a family road trip with all-too-frequent rest stops and a motel stay with treats like a giant TV, “teensy soaps and teensy shampoo / and beds made for bouncing.” A trip to an amusement park is captured in a creative shape poem about the thrills of a log ride and playful font changes that emphasize the ever changing perspective found on a Ferris wheel. Summer also includes going to camp as well as camping out in the backyard and enjoying s’mores and an astronomy lesson from Grandpa. As in the creators’ other Here I Come! books, the verse is peppy, with details sure to get kids jazzed, brought to life by the exuberant cartoon art. (This book was reviewed digitally.)

Summertime fun. (Picture book/poetry. 4-8)

Pub Date: April 25, 2023

ISBN: 978-0-593-38721-4

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Jan. 24, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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