by Doan Phuong Nguyen ; illustrated by Olga Lee ‧ RELEASE DATE: Sept. 24, 2024
An emotional journey that beats with an authentic heart.
It’s 1996, and 12-year-old Bom is caught between two worlds.
The Vietnam War had a lasting impact, leaving the country ravaged, so Bom’s family moved to Nashville, Tennessee, in hopes of a better life. But five years on, Bom is still struggling to fit in. She longs for her relatives in Vietnam and worries that she’s losing her “Vietnamese-ness” as her command of her native tongue slips away a little each day. Her younger sister, Bo, doesn’t understand her struggle: She’s too young to remember their past and declares that she’s simply American. To keep their Vietnamese cultural heritage alive, Bom decides to write about their family history on her father’s old typewriter. Through captivating free verse, Nguyen paints vivid, immersive scenes in this fictionalized memoir, which spans events from Vietnam in 1975 through the following two decades. The story features a large cast of characters, adding depth through glimpses of other perspectives and experiences. Some of the vignettes and musings wander and repeat, but they feel organic and true to the nature of memories. The author seamlessly captures the rich cultural traditions of Vietnam and the strong bonds and dynamics of large Vietnamese families. Nguyen doesn’t shy away from depicting the stark realities of famine, war, immigration, and loss, tempering some of the more heart-wrenching moments with compassion, love, and hope.
An emotional journey that beats with an authentic heart. (note to readers, glossary, family tree, author’s note) (Verse historical fiction. 9-13)Pub Date: Sept. 24, 2024
ISBN: 9781643796420
Page Count: 368
Publisher: Tu Books
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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BOOK REVIEW
by Doan Phuong Nguyen ; illustrated by Jesse White
by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
by Soman Chainani ; illustrated by Iacopo Bruno
by Soman Chainani ; illustrated by Iacopo Bruno
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by Soman Chainani ; illustrated by Joel Gennari
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by Soman Chainani ; illustrated by RaidesArt
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by Soman Chainani ; illustrated by RaidesArt
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BOOK TO SCREEN
by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Valerie Worth & illustrated by Natalie Babbitt
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SEEN & HEARD
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