by Doan Phuong Nguyen ; illustrated by Jesse White ‧ RELEASE DATE: May 23, 2023
This raw story of perseverance in the face of horror will challenge readers and their interlocutors.
A harrowing account of one girl’s life during the Vietnam War.
Nine-year-old Bé is happy in her village in South Vietnam, but with the war encroaching on their home, her father decides that it’s safer for her and her mother to move further north—to another village where he has another wife and five sons. Bé quickly realizes that their arrival is not welcome. Since she is her father’s only daughter, Bé’s new grandmother favors her, which infuriates her father’s first wife. To escape the latter’s abuse, Bé finds solace in a tiny kitten, Mèo, and it is Mèo who will accompany Bé as she faces escalating abuse, loss, abandonment, trafficking, and war. Based on Nguyen’s family’s experiences, this is a grim portrayal of life in wartime and the trauma that accompanies it. While Bé does not necessarily understand all the atrocities she witnesses, the implications will be clear to many readers. This relatively mature content is sometimes at odds with the narrative voice, which overall reads as quite young, in line with Bé’s age at the beginning of the novel. While the narration is easy to digest, and Mèo’s presence makes for some softer moments, the novel is perhaps better suited for an older audience.
This raw story of perseverance in the face of horror will challenge readers and their interlocutors. (language notes, Vietnamese names, glossary, author’s note) (Historical fiction. 12-14)Pub Date: May 23, 2023
ISBN: 9781643796253
Page Count: 320
Publisher: Tu Books
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
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by Doan Phuong Nguyen ; illustrated by Olga Lee
by Leza Lowitz ‧ RELEASE DATE: Jan. 12, 2016
It’s the haunting details of those around Kai that readers will remember.
Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.
With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.
It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)Pub Date: Jan. 12, 2016
ISBN: 978-0-553-53474-0
Page Count: 272
Publisher: Crown
Review Posted Online: Sept. 15, 2015
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by Jane Yolen ‧ RELEASE DATE: March 6, 2018
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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by Jane Yolen ; illustrated by Sally Deng
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by Jane Yolen ; illustrated by Brooke Boynton-Hughes
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by Jane Yolen & Heidi E.Y. Stemple ; illustrated by Jieting Chen
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