The fairy-tale characters and details of the country-music scene are so much fun you won't mind the silly plot.
A singer/songwriter at the beginning of her career is befriended by a retired country-music luminary, but will the young woman's past destroy her before her star can ascend?
"Underneath that sweet, doll-faced exterior, there was something fierce and furious about AnnieLee Keyes. Some dark pain powered those pipes; Ruthanna was sure of it." Like Bill Clinton before her, Parton has hooked up with Patterson to channel the details of her profession into a thriller framework—and in this case, to provide an album of songs purportedly written by the three main characters to be released at the same time. When we meet AnnieLee, she is on the run, hitchhiking to Nashville to escape some mysterious nightmare situation. Standing in the rain, she starts singing to herself: "Is it easy / No it ain't / Can I fix it? / No I cain't." This will become "Woman Up (and Take It Like a Man)," one of the songs she debuts in a roadside dive called the Cat's Paw, begging a place on the stage and playing a borrowed guitar before slinking off to sleep in a public park. But she has already been noticed by Ethan Blake, a handsome Afghanistan veteran–turned–Nashville session player and secret songwriter—"Demons, demons, we've both had enough of our own / Demons, demons, we don't have to fight them alone." He will take word of this tiny, skittish prodigy to his boss, the beloved Ruthanna Ryder, who has stepped back from a mega-career after personal tragedy—and who happens to own the Cat's Paw. Ruthanna, who recalls the great Parton in coiffure, jewelry, generosity, and business know-how, sees her former self in AnnieLee—"Big dreams and faded jeans / Fit together like a team"—and immediately goes to work to help her climb the slippery ladder of stardom. But between AnnieLee's durn pride and the vicious, violent marauders who are on her tail, it won't be easy. Good thing Patterson was there to give Ethan those military superhero moves. Showdown in Vegas, y'all!
The fairy-tale characters and details of the country-music scene are so much fun you won't mind the silly plot.Pub Date: March 7, 2022
ISBN: 978-0-7595-5434-4
Page Count: 448
Publisher: Little, Brown
Review Posted Online: Dec. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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