The fairy-tale characters and details of the country-music scene are so much fun you won't mind the silly plot.
A singer/songwriter at the beginning of her career is befriended by a retired country-music luminary, but will the young woman's past destroy her before her star can ascend?
"Underneath that sweet, doll-faced exterior, there was something fierce and furious about AnnieLee Keyes. Some dark pain powered those pipes; Ruthanna was sure of it." Like Bill Clinton before her, Parton has hooked up with Patterson to channel the details of her profession into a thriller framework—and in this case, to provide an album of songs purportedly written by the three main characters to be released at the same time. When we meet AnnieLee, she is on the run, hitchhiking to Nashville to escape some mysterious nightmare situation. Standing in the rain, she starts singing to herself: "Is it easy / No it ain't / Can I fix it? / No I cain't." This will become "Woman Up (and Take It Like a Man)," one of the songs she debuts in a roadside dive called the Cat's Paw, begging a place on the stage and playing a borrowed guitar before slinking off to sleep in a public park. But she has already been noticed by Ethan Blake, a handsome Afghanistan veteran–turned–Nashville session player and secret songwriter—"Demons, demons, we've both had enough of our own / Demons, demons, we don't have to fight them alone." He will take word of this tiny, skittish prodigy to his boss, the beloved Ruthanna Ryder, who has stepped back from a mega-career after personal tragedy—and who happens to own the Cat's Paw. Ruthanna, who recalls the great Parton in coiffure, jewelry, generosity, and business know-how, sees her former self in AnnieLee—"Big dreams and faded jeans / Fit together like a team"—and immediately goes to work to help her climb the slippery ladder of stardom. But between AnnieLee's durn pride and the vicious, violent marauders who are on her tail, it won't be easy. Good thing Patterson was there to give Ethan those military superhero moves. Showdown in Vegas, y'all!
The fairy-tale characters and details of the country-music scene are so much fun you won't mind the silly plot.Pub Date: March 7, 2022
ISBN: 978-0-7595-5434-4
Page Count: 448
Publisher: Little, Brown
Review Posted Online: Dec. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
