Brown (Ruth Law Thrills a Nation, 1993) describes an astonishing feat without fanfare or needless adulation, in a story of a little-known automobile pioneer. In delicate watercolors, using a palette and pen-and-wash technique familiar from his first book, Brown tells the story of Alice Ramsey, the first woman to drive across America. She undertook her venture in 1909 with three women and a promise of car-repair assistance from the Maxell company, maker of the touring car and sponsor of the trip. Her journey offers readers a unique perspective on the US at that time: It was varied (hogs in the farmland, miles of railroad track in Chicago, gravelly arroyos in Wyoming) and vast (the seemingly limitless horizon of Nebraska and little more than a sandy path through Nevada). An arrival in San Francisco is enlivened by much flag-waving in the illustration, one more variation on the compositions that reveal cool nights, hot sunny plains, and lush mountainous forests. Brown leaves the story spare and true, with touches of humor; readers have enough information to pursue facts in other books, among them Patricia Rusch Hyatt's Coast to Coast With Alice (1995). It's quite a story, and Brown quietly reminds readers that it's also quite a triumph. (Picture book/nonfiction. 4-8)
Pub Date: Sept. 1, 1997
ISBN: 0-395-70127-9
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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