Two of these insider’s novels, at least, give fresh impetus to the Carpenter revival.
A re-issue of three Hollywood novels by a West Coast author and screenwriter who died in 1995, following the recent publication of his last novel, Fridays at Enrico’s (2014).
Meet the comedy team of Jim and David. A Couple of Comedians (1979) is a raunchy, high-spirited ramble from David’s Northern California ranch to Hollywood, where they make one movie a year followed by a stint at a Vegas nightclub. Yes, they’re famous; they’re also free spirits, chasing chicks and scoring dope. David is the narrator, and his view of Hollywood is nuanced, for among “Hollywood’s collection of contemptibles” is one of the original moguls who, combining self-interest and magnanimity, gave them their winning big-screen formula. David skips the moviemaking—it’s boring—but we feel a frisson before their nightclub act. Jim may be having a breakdown: Will he show? Less quirky is The True Life Story of Jody McKeegan (1975). Jody has had a hard life. In her hometown of Portland, Oregon, she watched her big sister die after a back-alley abortion. Failing to find acting work in New York, she became “a thief, a pimp, a blackmailer, a junkie.” In Hollywood, however, close to washed up at 35, she catches a break. She meets the producer Harry Lexington; they fall in love. Jody’s perfect for a role in his current movie. Overcoming his scruples about casting girlfriends, Harry gets her the part. But will self-destructive Jody keep it together? The suspense goes down to the wire. Turnaround (1981) has less edge and energy than the other novels. None of the three principals (two studio executives and an aspiring screenwriter) has the vital spark of Jody or those hell-raising comedians. The real story, the painful coming-of-age of a screenwriter, something close to Carpenter’s heart, arrives too late to grab us.
Two of these insider’s novels, at least, give fresh impetus to the Carpenter revival.Pub Date: Sept. 9, 2014
ISBN: 9781619023420
Page Count: 420
Publisher: Counterpoint
Review Posted Online: June 30, 2014
Kirkus Reviews Issue: July 15, 2014
BOOK REVIEW
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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