Brings deserved attention to the life of a man who dedicated himself to recording the lives of others.
William Still’s chance encounter with his long-lost brother changed the course of his life and those of many other African Americans striving for freedom.
When Sidney Still escaped slavery in Maryland to join her husband, Levin, in New Jersey with their two daughters, she left their two sons behind. There, the family grew until William was born in 1821, youngest of 15. Tate’s economical, urgent narrative lays out these facts before recounting how young William struggled to balance education with chores and Northern racism. At 26, he landed an office-clerk position at the Anti-Slavery Society in Philadelphia and eventually opened his home as a “station” along the Underground Railroad. Finally meeting his older brother Peter during the latter’s escape inspired Still to gather identifying information and stories of the runaways he assisted, work that was instrumental in reuniting families who had become separated and that became a chronicle of “slavery’s nightmare.” Tate’s sentences are often short, underscoring Still’s effort and drive; when they occasionally lengthen, they land with a punch: “With three dollars in his pocket, and a billion dollars in pride, William planted himself north of the Delaware River in east Philadelphia.” His paintings often likewise play out in vignettes that capture action over time then linger lovingly on the expressive faces of his characters.
Brings deserved attention to the life of a man who dedicated himself to recording the lives of others. (timeline, author’s note, bibliography) (Picture book/biography. 5-9)Pub Date: Nov. 1, 2020
ISBN: 978-1-56145-935-3
Page Count: 40
Publisher: Peachtree
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
