Almost 16 years old in 1944, Erik Brandt finds himself on a German troop train headed for the Eastern Front in Russia. Because his mother was born in Russia, he is bilingual and has volunteered to be an interpreter. What he and his fellow teenaged recruits find is that they are thrown into the front line of a battle near Tarnapol as part of an infantry division. Wounded in the trenches, Erik changes clothing with a dead Russian soldier and finds himself in a Russian field hospital feigning amnesia and constantly worrying about his Russian accent. In the weeks that follow, he gains assurance and friends and proves useful as an orderly. He is almost comfortable and less apprehensive until the moment that he spills hot oil on himself and cries out in German. The young Russian girl who hears him, Tamara, says nothing, and later becomes his companion as together, on foot, they flee a German offensive. Walking west through the Ukraine, facing danger and starvation, they use their increasingly effective survival skills and miraculously are taken in by a Czech woman who lives alone in her grand, war-damaged estate. Erik and Tamara grow to love each other and she stays faithful to him even as he is seriously wounded by American soldiers. Based on the lives of the author and his wife, this harrowing tale opens and concludes with the words of the adult Brandt. It is a compelling, graphic, and bloody depiction of war from the viewpoint of a raw recruit who is neither a Hitler fanatic nor a convert to communism. He simply and movingly records the daily horrors of living in a battlefield and his determination to survive and live freely. (Historical fiction. YA)
Pub Date: March 1, 2001
ISBN: 0-670-88863-X
Page Count: 244
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK REVIEW
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Abandoned by their mother, whose mental stability has been crumbling since her husband went west, Lyddie and her brother Charlie manage alone through a Vermont winter. But in the spring of 1844, without consulting them, the mother apprentices Charlie to a miller and hires Lyddie out to a tavern, where she is little better than a slave. Still, Lyddie is strong and indomitable, and the cook is friendly even if the mistress is cold and stern; Lyddie manages well enough until a run-in with the mistress sends her south to work in the mills of Lowell, Massachusetts, thus earning a better wage (in a vain hope of saving the family farm), making friends among the other girls enduring the long hours and dangerous conditions, and expanding her understanding of loyalty, generosity, and injustice (she already knows more than most people ever learn about perseverance). Knowing only her own troubled family, Lyddie is unusually reserved, even for a New Englander, With her usual discernment and consummate skill, Paterson depicts her gradually turning toward the warmth of others' kindnesses—Betsy reads Oliver Twist aloud and suggests the ultimate goal of Oberlin College; Diana teaches Lyddie to cope in the mill, setting an example that Lyddie later follows with an Irish girl who is even more naive than she had been; Quaker neighbors offer help and solace that Lyddie at first rejects out of hand. Deftly plotted and rich in incident, a well-researched picture of the period—and a memorable portrait of an untutored but intelligent young woman making her way against fierce odds.
Pub Date: March 1, 1991
ISBN: 0-525-67338-5
Page Count: 192
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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