The simply told legend, brilliant illustrations and handsome book design combine for a compelling, important work.
Montileaux, a member of the Oglala Lakota Nation, adapts the legend of the tribe’s domestication of the horse in this bilingual English-Lakota edition.
A young warrior hunting game discovers a thundering herd of horses. Following them for weeks, he learns their behavior. “He wanted to catch one so that he could travel as fast as the wind.” After training the creatures, he triumphantly returns to his tribe’s camp. Using the horses for hunting, the tribe not only enriches itself, but begins to dominate other tribes. “The Great Spirit looked on in sadness. Tasunka, the horse, had been his gift to all the people. Instead, one tribe was…growing wealthy while others were going hungry, so the Great Spirit took the gift away.” Only centuries later, with the legend deeply woven into the tribe’s culture, does the horse return. (Its reintroduction is shown in scenes of the fateful migration of European-Americans across the continent.) Montileaux renders the expansive plains in greens, blues, reds and browns, intensifying color to heighten drama, as in a scene of a buffalo hunt. In one spread depicting tribal storytelling about Tasunka, a campfire illuminates drawings of horses amid evening’s purple shadows. Throughout, the striking, many-hued horses gallop, manes flowing, their powerful haunches tapering into thin, elegantly inked lines.
The simply told legend, brilliant illustrations and handsome book design combine for a compelling, important work. (illustrator’s note, further reading list) (Folk tale. 6-10)Pub Date: April 1, 2014
ISBN: 978-0-9852905-2-8
Page Count: 48
Publisher: South Dakota State Historical Society Press
Review Posted Online: March 2, 2014
Kirkus Reviews Issue: March 15, 2014
Best for readers who have clearly indicated they would like to take their writing efforts to the next level.
A young white girl writes and illustrates a story, which is critiqued by the narrator as it is created.
The girl begins her story by drawing a Hero. Then she thinks maybe a Heroine would be better. Then she decides both will work. She places them in “a good town, filled with good people, called our Setting.” The narrator, an unseen editor who lurks over the artist’s shoulder, tells the storyteller she needs to put in some Conflict, make the Evil Overlord scarier, and give it better action. This tongue-in-cheek way of delivering the rules of creative writing is clever, and paired with Le Huche’s earnest, childlike illustrations, it seems to be aimed at giving helpful direction to aspiring young creators (although the illustrations are not critiqued). But the question needs to be asked: do very young writers really need to know the rules of writing as determined by adults? While the story appears to be about helping young readers learn writing—there is “A Friendly List of Words Used in this Book” at the end with such words as “protagonist” and “antagonist” (glossed as “Hero and Heroine” and “Evil Overlord,” respectively)—it also has a decidedly unhelpful whiff of judgment. Rules, the text seems to say, must be followed for the story to be a Good one. Ouch.
Best for readers who have clearly indicated they would like to take their writing efforts to the next level. (Picture book. 6-10)Pub Date: Sept. 12, 2017
ISBN: 978-1-4814-2935-1
Page Count: 40
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
Will leave readers as happy as a pig in mud.
It’s good to embrace change.
Although an unseen narrator attempts to tell an accustomed version of “The Three Little Pigs”—here named Alan, Alfred, and Alvin Albert—their younger sister, Alison, wants to get in on the action because she’s a natural storyteller. The narrator grudgingly allows Alison to tag along, but her added bits of flavor and the unexpected personalities of her brothers soon send the story off its traditional tracks and into hilarious hijinks. For example, Alan’s love of building allows him to design a functional house made of plastic drinking straws, Alfred’s stick house is actually constructed by Alan because Alfred’s clearly a star and not stage crew, and Alvin’s shacking up in a pumpkin behind Cinderella’s castle because he’s…not the crispiest piece of bacon on the plate. Alison’s quick thinking leads the brothers to be one step ahead of the wandering wolf. When the narrator hits their limit, a conversation with Alison proves that collaboration can lead to unexpected but wonderful results. The story flows well, accompanied by energetic cartoon art, and the choice to color-code the speech bubbles of each character (and the text of the narrator vs. Alison) ensures readers will be able to follow the snappy dialogue. Those who love to make up their own stories will be inspired, and readers who march to the beats of their own drums will be delighted. (This book was reviewed digitally.)
Will leave readers as happy as a pig in mud. (Picture book. 6-10)Pub Date: Oct. 25, 2022
ISBN: 978-1-5420-3243-8
Page Count: 40
Publisher: Two Lions
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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