Next book

PRINCIPAL PRODUCTS OF PORTUGAL

PROSE PIECES

Gathering fugitive essays, published for the most part over the past ten years, Hall (Life Work, 1993, etc.) constructs a model miscellany. To introduce readers to his preoccupations, Hall opens with a long investigation of the baseball poem ``Casey at the Bat'' and follows with a short paean to trees. He treats poetry, of course, and sport, most often baseball; also history, whether ancient, national, local, or natural. New England's peculiar culture and unique landscape have a particular hold on his imagination. After an intriguing ``tour of the less-read books of Henry Adams,'' Hall considers small-town New Hampshire in a trio of short essays that delicately chart the passage into history of the grammar schools, parlors, and graveyards that formed the horizons of his childhood. With a memoir of the eccentric New England author Robert Francis, Hall segues into a section on poetry. Here he places astute treatments of Marvell, E.A. Robinson, and James Wright, as well as a stirring defense of public funding for the arts. Other pieces include a moving account of how Hall's recent illness has influenced his attitude toward reading. At this point returns diminish somewhat: A piece from the early 1960s on sculptor Henry Moore feels out of place, while profiles of Boston Celtic fixtures Bob Cousy and Red Auerbach—and even an account of meeting Red Sox World Series hero Carlton Fisk—lack verve. But Hall reestablishes his indomitable voice in a concluding quartet of essays, moving from recollections of the magical baseball summer of 1941, through a parable about country stores and a wry discussion of rural real estate, to a fascinating childhood memory of how a Hollywood melodrama about the Spanish Civil War led him to renounce war play. ``I take sentences apart, and put them together again,'' goes Hall's concluding clause here. So he does—and who does it better?

Pub Date: April 30, 1995

ISBN: 0-8070-6202-2

Page Count: 286

Publisher: Beacon Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1995

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview