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THE LOST GIRLS OF ROME

A powerful psychological drama.

With references to the Monster of Florence, a medieval serial murderer, and a secret Vatican sect, Carrisi’s (The Whisperer, 2012) second literary thriller draws readers into a labyrinth of evil.

In his derelict Rome villa, Jeremiah Smith lies comatose, "Kill Me" carved in his chest. The emergency responder physician begins working and then sees evidence that Smith is her twin sister’s killer. With that, Carrisi’s noir narrative descends into surrealism, soon drawing in Sandra Vega, police forensic analyst. Sandra’s husband, David, a freelance photojournalist with a penchant for danger, died five months earlier in a fall from a Rome building. Or was David pushed? Perhaps the penitenzieri know? The secret sect, remnants of the 12th-century Paenitentiaria Apostolica—The Tribunal of Souls—keeps “the largest and most up-to-date archive of evil in the world. Evils abound beyond Smith’s murders, and a penitenzieri may be entangled. Sandra stumbles upon Marcus, an amnesiac penitenzieri, and they confront other killings, past and current. Astor Boyash arranges a boy’s assassination to procure a heart for his grandson. Raffeale Altieri kills his father to avenge his mother. Paraplegic Frederico Noni kills his sister because she discovers his deadly perversion; and blind, retired detective Pietro Zinni kills Frederico because Pietro felt pity for Frederico originally. Carrisi writes beautifully—"Obedient little flames that bow their heads in unison at each draught"—and intimately appreciates Rome, its chapels, its narrow alleyways, its fountains and gardens. Confronting human depravity in a story shifting from the current day to the recent past, Carrisi’s second interwoven narrative thread follows a nameless hunter pursuing a transformist, a chameleonlike serial killer able to assume a victim’s personality. The appearance of mysterious Thomas Schalber, Interpol undercover agent, adds complexity, but it’s Marcus and the other penitenzieri, "guards appointed to defend the border" at the "place where the world of light meets the world of darkness," who inhabit the bloody ground where good and evil clash.

A powerful psychological drama.

Pub Date: Nov. 19, 2013

ISBN: 978-0-316-24679-8

Page Count: 432

Publisher: Mulholland Books/Little, Brown

Review Posted Online: Sept. 20, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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