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THE LAST CUENTISTA

An exquisite tonic for storytellers far and wide, young and old.

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With Halley’s comet barreling toward Earth, humanity’s last hope—including a young Latinx storyteller—retreats into the stars.

Only a select few have the opportunity to vacate Earth in the year 2061, travel for 380 years in stasis, and start a new life on the planet of Sagan. Tearing herself away from her grandma and her cuentos, or stories, Petra Peña follows her family aboard one of three fleeing spaceships. One ship—reserved for leaders and politicians—is lost. Petra awakens years later to find that the ominous Collective has taken over her ship. Along the way to Sagan, the Collective has ensured the eradication of any Earth-associated memories, reprogramming everyone onboard—and purging some—for the so-called greater good. Petra, however, eludes reprogramming. To survive the Collective’s fanaticism, Petra must play her part and participate in scouting missions on Sagan to help the Collective prepare for colonization. As she shares cuentos with other child passengers to stir their Earth memories, Petra concocts a plan to escape, seeking a rumored Collective-free colony of First Arrivers on Sagan. With poetic use of startling imagery and unabashed nostalgia, Higuera spins a tale that crosses the depths of space, interweaving Mexican folklore with a mystical strand of science fiction. It all works thanks to the author’s keen appreciation of storytelling’s role in shaping cultures, dreams, and lives. An overall slow burner, this tale packs a wallop.

An exquisite tonic for storytellers far and wide, young and old. (Science fiction. 10-14)

Pub Date: Oct. 12, 2021

ISBN: 978-1-64614-089-3

Page Count: 336

Publisher: Levine Querido

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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GHOST

From the Track series , Vol. 1

An endearing protagonist runs the first, fast leg of Reynolds' promising relay.

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Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.

His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.

An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4814-5015-7

Page Count: 192

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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