by Donna Gordon ‧ RELEASE DATE: June 8, 2022
A soulful journey that offers surprises and unforeseen victories.
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A boy with a fatal disease sets out to help a political refugee restore his shattered family in Gordon’s debut coming-of-age novel.
In the late 1970s, Lee Adams is just 12 years old and has a rare condition called Hutchinson-Gilford progeria syndrome, which causes his cells to age rapidly. He weighs only 35 pounds and has the wizened appearance of a bald, 102-year-old man; he’s also plagued by arteriosclerosis and arthritis and is likely to die from a heart attack or blood clot in his teens. He has a sharp mind and a keen interest in American history, especially Benjamin Franklin’s motivational wisdom; he wants to indulge this interest during a long-anticipated trip from his Newark, New Jersey, home to Washington, D.C., accompanied by his mom, Cass, and soul mate, Kira Throop, a 13-year-old girl who also has progeria. After Kira dies suddenly, Cass finds herself unable to take off work, so she insists that Lee make the trip anyway, accompanied by newly hired caretaker Tomás Concepción. Lee is suspicious of Tomás, who drags him around Washington on mysterious errands, but the boy finally gets him to tell him what’s going on: He’s an Argentinian journalist who was jailed and tortured in his home country three years ago along with his wife, Violeta; he’s now searching for news of her and their baby, who he fears may have been taken away and sold on the black market. Lee eagerly joins in Tomás’ quest, and they’re helped by Margaret, a Washington Post reporter, and Alicia, an Argentinian expat connected to the “Abuelas,” an underground network of women who gather information about the disappeared. Lee and the others finally uncover leads that may result in the reunion of Tomás’ family—and also learn why this might be a bad idea.
Gordon’s novel is a plangent study of a fearsome disease, depicted in language that’s raptly evocative but never sentimental: “There weren’t any words created that could say why he was on this treadmill with time, or why his collarbones were disintegrating like limestone, or why his spine felt like a brittle trail of broken teeth.” It’s also a dark, gripping investigation of Argentina’s experience with brutal dictatorship in the 1970s and ’80s, full of paranoia and sinister, Kafkaesque atmospherics, as when a character watches secret police descend on her family’s house in Buenos Aires: “She…saw the shadows of two figures being hauled out of her parents’ house—first her father, who had difficulty walking, then her mother sagging behind….She knew she would never see her parents again.” Gordon’s prose is vivid and subtly allusive, conjuring character and feeling from details of appearance and behavior, as in a description of Tomás’ “industrial lunch box and paratrooper shoes” and how he has the “depressed cross-eyed delirium of an undertaker.” The end result is a searching meditation on mortality and hope that’s all the more powerful for being filtered through the quirky point of view of a child.
A soulful journey that offers surprises and unforeseen victories.Pub Date: June 8, 2022
ISBN: 978-1-64603-230-3
Page Count: 330
Publisher: Regal House Publishing
Review Posted Online: Oct. 17, 2022
Kirkus Reviews Issue: Dec. 1, 2022
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Fredrik Backman translated by Neil Smith
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by Fredrik Backman ; translated by Neil Smith
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