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FLIBBERTIGIBBETY WORDS

YOUNG SHAKESPEARE CHASES INSPIRATION

A comic introduction to the plays and words of Shakespeare that’s lighthearted and sure to please.

“My words fly up, my thoughts remain below.”

Literally chasing inspiration, young William runs through the streets, gardens, waters, and woods of Elizabethan England, in search of the flibbertigibbety words that flew in through his window one day and then escaped, in this whimsical, metaphorical ode to the language and plays of Shakespeare. Each spread features well-known phrases from a play, as the lad’s future characters—a multiracial group, in a nod to diversity in modern casting—stand on a balcony, ride in a carriage, or stir a boiling pot, as appropriate to their roles. Playful and idiosyncratic illustrations are full of action and energy and evoke the sense of a European fairy tale as they portray the determined boy’s seemingly unsuccessful search. At a loss for words, William finally returns home and reveals his plight to a local peddler he passed earlier—who, in addition to pretty ribbons, also happens to sell paper and pens, which might be just what young William needs to capture his elusive target. This cheeky, kid-friendly tale is full of creativity and humor and will work for many age groups on many levels—and it answers the age-old question of where authors find ideas (and words). Both William and the peddler present white.

A comic introduction to the plays and words of Shakespeare that’s lighthearted and sure to please. (author’s note, quotations with sources, bibliography) (Picture book. 5-10)

Pub Date: Sept. 1, 2020

ISBN: 978-1-64567-062-9

Page Count: 40

Publisher: Page Street

Review Posted Online: May 16, 2020

Kirkus Reviews Issue: June 1, 2020

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RAFI AND ROSI MUSIC!

From the Rafi and Rosi series

A welcome, well-researched reflection of cultural pride in the early-reader landscape.

The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.

Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.

A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)

Pub Date: Sept. 17, 2019

ISBN: 978-0-89239-429-6

Page Count: 64

Publisher: Children's Book Press

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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