Low-key, oddly unemotional soap, from the author of Rhythms (2001), etc.
Infidelity, followed by endless introspection.
African-American Asha, a globetrotting photographer, has more than her share of lovers—and can’t understand why she’s inexorably attracted to the man who just married her best friend. Granted, Ross Davis is a handsome, sensitive, hardworking architect, but that shouldn’t be enough to dazzle a sophisticated New Yorker like Asha, especially when he pledged his eternal love for Lisa at the church in front of all their friends and family. And Asha and Lisa have been friends since they met as children in a poor Brooklyn neighborhood. Could it be that Asha is attracted only to emotionally unavailable men because, years ago, her father abandoned her understandably angry mother for another woman? Moving right along to Ross’s point of view, it’s clear that he’s not ready for the whole commitment thing, fearing that he’ll have to sell out to afford Lisa’s dream of owning a Harlem brownstone or a spacious suburban house. Though he’s a considerate, upstanding man who believes in fidelity, he’s overwhelmed by the responsibilities of marriage and unable to resist temptation when Asha makes it clear she’s interested. His naïve new bride misses all the signs of the impending affair, but she’s devastated when it finally happens. Where did she go wrong? She took care of Ross in every way—how could he break her heart? Then Lisa’s mother reveals a long-hidden secret: She once had an affair with Lisa’s father’s best friend and had no way of knowing for nine long months whether the child she was carrying was his or her lover’s. Lisa ponders this judge-not-lest-ye-be-judged situation for a while and is glad there are no children this time around. Meantime, Asha’s mother explains the catastrophic breakup of her marriage in bitter detail, and she and Asha fight anew, unable to heal the old wounds. But life goes on—and new love awaits all.
Low-key, oddly unemotional soap, from the author of Rhythms (2001), etc.Pub Date: Oct. 11, 2002
ISBN: 0-312-28191-9
Page Count: 304
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2002
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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