A captivating and skillfully constructed weaving of history and romantic drama.
A novel set in Harlem during the early 1960s explores competing factions in the civil rights movement.
Jason Tanner has just made a momentous decision. Sitting at a table in Atlanta’s Paschal’s Restaurant with the major leaders of the Rev. Dr. Martin Luther King Jr.’s nonviolent protest campaign—including a young man named John Lewis, who would become a civil rights icon— Jason volunteers to set up a grassroots outreach storefront in New York City. His parents are not pleased that their eldest child, who had never stepped foot outside of Georgia until he joined King’s march on Washington, D.C., is heading up north to a city filled with danger. Meanwhile, in that very city, Anita Hopkins, born in Brooklyn, is attending a Malcolm X rally. “You don’t have a peaceful revolution. You don’t have a turn-the-cheek revolution. There’s no such thing as a nonviolent revolution,” he intones. Anita cheers along with the crowd, handing out leaflets and encouraging his supporters. In September 1963, Jason boards the bus from Atlanta to New York. As passengers disembark at a Philadelphia rest stop, he strikes up a conversation with a beautiful young woman sitting across the aisle. And so the “do-gooder” Georgia boy meets the fiery, street-wise city girl. Their first encounter does not end well. Hill’s enjoyable, well-paced, and deftly structured novel, which features historical photographs, is filled with musical allusions, including a Christmas Motown spectacular at the Apollo Theater. Her descriptions of the sights, aromas, and tempo of Harlem—the ’60s Northern Black cultural and intellectual center—in all its diversity, are vivid and reflected through two strong, fully drawn protagonists. They are opposite sides of a coin—he is shy and uncertain about his future in New York; she is an exuberant poet with a beautiful voice. He is gentle, speaking in a soft Southern cadence; she is passionate and edgy. He is a pacifist; she is a militant. But the vibrancy of Harlem, the excitement of listening to Anita read her poetry at the B-Flat nightclub, and a magnetic connection that keeps each in the other’s thoughts eventually work their magic in this powerful tale.
A captivating and skillfully constructed weaving of history and romantic drama.Pub Date: Nov. 24, 2020
ISBN: 978-1-64063-829-7
Page Count: 400
Publisher: Sideways Books
Review Posted Online: Oct. 14, 2020
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
For devoted Hannah fans in search of a good cry.
The miseries of the Depression and Dust Bowl years shape the destiny of a Texas family.
“Hope is a coin I carry: an American penny, given to me by a man I came to love. There were times in my journey when I felt as if that penny and the hope it represented were the only things that kept me going.” We meet Elsa Wolcott in Dalhart, Texas, in 1921, on the eve of her 25th birthday, and wind up with her in California in 1936 in a saga of almost unrelieved woe. Despised by her shallow parents and sisters for being sickly and unattractive—“too tall, too thin, too pale, too unsure of herself”—Elsa escapes their cruelty when a single night of abandon leads to pregnancy and forced marriage to the son of Italian immigrant farmers. Though she finds some joy working the land, tending the animals, and learning her way around Mama Rose's kitchen, her marriage is never happy, the pleasures of early motherhood are brief, and soon the disastrous droughts of the 1930s drive all the farmers of the area to despair and starvation. Elsa's search for a better life for her children takes them out west to California, where things turn out to be even worse. While she never overcomes her low self-esteem about her looks, Elsa displays an iron core of character and courage as she faces dust storms, floods, hunger riots, homelessness, poverty, the misery of migrant labor, bigotry, union busting, violent goons, and more. The pedantic aims of the novel are hard to ignore as Hannah embodies her history lesson in what feels like a series of sepia-toned postcards depicting melodramatic scenes and clichéd emotions.
For devoted Hannah fans in search of a good cry.Pub Date: Feb. 9, 2021
ISBN: 978-1-2501-7860-2
Page Count: 464
Publisher: St. Martin's
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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