An incredible story that ought to be widely known—a must-read. (Picture book/biography. 7-12)
Minter’s acrylic-painted linoleum-block prints combine with Bowman’s story of a former slave who trained a brilliant horse for a memorable book.
Born circa 1833 in Shelbyville, Tennessee, William “Doc” Key earned his nickname by developing expertise in caring for horses. He had helped many horses give birth, but when his purebred Arabian, Lauretta, gives birth to a weak, “spindly, shank-legged” colt, Doc despairs of ever raising a prizewinning racehorse. Raising Beautiful Jim Key with the attention a doting parent gives a child, Doc soon realizes that he has no ordinary horse. Over time, Doc teaches Jim to answer questions, spell words, and write letters on a blackboard. Doc makes a living from selling his liniments on a medicine wagon, but when Jim performs in the Tennessee Centennial Exposition, held in Nashville in 1897, it catapults both of them to fame, which Key uses to promote animal welfare. Surrounding this amazing and mostly true story is the American segregation that prevented Doc and Jim from performing in certain places and for certain audiences. The strong, black lines of Minter’s prints give the book an old-time–y feel; colored in a palette of gold, brown, and green, they glow with life. Photographs of Doc and Jim in the backmatter along with useful historical information on the pair will give readers valuable background and context.
An incredible story that ought to be widely known—a must-read. (Picture book/biography. 7-12)Pub Date: Oct. 15, 2016
ISBN: 978-1-62014-148-9
Page Count: 48
Publisher: Lee & Low Books
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A mighty portrait of poverty amid cruelty and optimism.
Recounting his childhood experiences in sixth grade, Ogle’s memoir chronicles the punishing consequences of poverty and violence on himself and his family.
The start of middle school brings about unwanted changes in young Rex’s life. His old friendships devolve as his school friends join the football team and slowly edge him out. His new English teacher discriminates against him due to his dark skin (Rex is biracial, with a white absentee dad and a Mexican mom) and secondhand clothes, both too large and too small. Seemingly worse, his mom enrolls him in the school’s free-lunch program, much to his embarrassment. “Now everyone knows I’m nothing but trailer trash.” His painful home life proffers little sanctuary thanks to his mom, who swings from occasional caregiver to violent tyrant at the slightest provocation, and his white stepdad, an abusive racist whose aggression outrivals that of Rex’s mom. Balancing the persistent flashes of brutality, Ogle magnificently includes sprouts of hope, whether it’s the beginnings of a friendship with a “weird” schoolmate, joyful moments with his younger brother, or lessons of perseverance from Abuela. These slivers of relative levity counteract the toxic relationship between young Rex, a boy prone to heated outbursts and suppressed feelings, and his mother, a fully three-dimensional character who’s viciously thrashing against the burden of poverty. It’s a fine balance carried by the author’s outstanding, gracious writing and a clear eye for the penetrating truth.
A mighty portrait of poverty amid cruelty and optimism. (author’s note, author Q&A, discussion guide, writing guide, resources) (Memoir. 9-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-324-00360-1
Page Count: 208
Publisher: Norton Young Readers
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
PERSPECTIVES
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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