Percy, 17, is spending the summer in Venice with his engineer father, his artist mother, and his endearing brother, Christopher, 6. Percy misses the sailing and soccer he left behind in Massachusetts until he meets Graziella, who sells him gelato and offers him other things to think about. Napoli (Stones in Water, 1997, etc.) expertly weaves a number of strands: the Venetians’ love and loathing for the tourists who keep the city alive; the delicate and ever-threatened ecological balance of the lagoon; the darkness of violence planned with the purest of motives. The city’s radiance is captured in small, stunning moments: fireworks over the water on a festival night; a dark alley doorway that opens into a palace with cherubs on the ceiling; the taste of new olive oil. A wild summer storm and two small boys lost in it, the suggestion of a first sexual encounter, and the odd exhilaration of new places and experiences drive the story, even as Percy tries to find his place as an American in Graziella’s deeply Venetian life. All the while, Napoli never lets the message about the city’s fragile existence overwhelm the story or the delicacy of the romance. (Fiction. 12-15)
Pub Date: May 1, 1998
ISBN: 0-385-32531-2
Page Count: 245
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1998
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes
A gripping thriller in dystopic future Los Angeles.
Fifteen-year-olds June and Day live completely different lives in the glorious Republic. June is rich and brilliant, the only candidate ever to get a perfect score in the Trials, and is destined for a glowing career in the military. She looks forward to the day when she can join up and fight the Republic’s treacherous enemies east of the Dakotas. Day, on the other hand, is an anonymous street rat, a slum child who failed his own Trial. He's also the Republic's most wanted criminal, prone to stealing from the rich and giving to the poor. When tragedies strike both their families, the two brilliant teens are thrown into direct opposition. In alternating first-person narratives, Day and June experience coming-of-age adventures in the midst of spying, theft and daredevil combat. Their voices are distinct and richly drawn, from Day’s self-deprecating affection for others to June's Holmesian attention to detail. All the flavor of a post-apocalyptic setting—plagues, class warfare, maniacal soldiers—escalates to greater complexity while leaving space for further worldbuilding in the sequel.
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes . (Science fiction. 12-14)Pub Date: Nov. 29, 2011
ISBN: 978-0-399-25675-2
Page Count: 336
Publisher: Putnam
Review Posted Online: April 8, 2011
Kirkus Reviews Issue: Oct. 15, 2011
BOOK TO SCREEN
Flat secondary characterizations and humdrum dialogue won’t keep teens from relishing this histrionic tale of love, death...
Wealthy high school junior Mcalister “Caggie” Caulfield seeks relief from grief over her younger sister’s death by entering into a dangerous relationship with a mysterious boy.
After her little sister drowns in the pool at her family’s beach house in the Hamptons, Caggie wants to die too, to the point that she contemplates jumping off the roof at a friend’s party in Manhattan. A schoolmate named Kristen saves her at the last minute but nearly falls herself. Caggie actually ends up pulling Kristen back and is credited as a hero, which only makes her feel worse. In her grief, Caggie spurns the attentions of her best friend and devoted boyfriend, but she finds a kindred spirit in Astor, a tall, dark and damaged new boy at school who recently lost his mother to cancer. But what Caggie comes to realize about her relationship with Astor is that “[d]arkness stacked on darkness just makes it that much harder to find the light.” After another nearly fatal disaster with Astor at the beach house, Caggie is forced to confront the falsehoods she has told her family and friends and let go of her guilt over her sister’s death. Though Caggie makes a point of telling readers that her paternal grandfather called people like her “phony,” almost nothing is made of the connection to Catcher in the Rye, and it serves merely to make Caggie’s tale suffer by comparison.
Flat secondary characterizations and humdrum dialogue won’t keep teens from relishing this histrionic tale of love, death and lies. (Fiction. 12-15)Pub Date: March 18, 2014
ISBN: 978-1-4424-3316-8
Page Count: 304
Publisher: Simon Pulse/Simon & Schuster
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
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