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GIGGLE, GIGGLE, QUACK

Cronin and Lewin team up again for a sequel about the clever crew from the Caldecott Honor–winning, Click, Clack, Moo: Cows That Type (2000). This time, Farmer Brown is away on vacation, and his brother Bob is taking care of the farm animals, with instructions to follow the notes the farmer left behind. The mischievous action is led by the duck, the “neutral party” in the previous story, who has learned to print neatly with a pencil. Does the quick-witted duck replace all Farmer Brown’s notes with his own carefully printed orders? Do the farm animals get to order pizza, take bubble baths, and watch old movies? Do ducks quack? Lewin’s bold watercolors with thick black outlines are just as funny as those in the first story, but a duck writing notes with a red pencil doesn’t have the off-beat humor of cows click-clacking away on a typewriter. Similarly, the concept of farm animals tricking their kindly sitter into forbidden treats doesn’t have the panache of going on strike for electric blankets. The refrain in this story changes with each incident to reflect the three kinds of animals, again suffering in comparison with that delightfully repetitive refrain in the original story. The many fans of Click, Clack, Moo (both adults and children) will want to read about the cows and their duck friend to see what happens next, but like most sequels, the second story stands not on top, but in the shadow of the innovative original. (Picture book. 3-7)

Pub Date: May 1, 2002

ISBN: 0-689-84506-5

Page Count: 32

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2002

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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