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WE ARE THE MANY

A PICTURE BOOK OF AMERICAN INDIANS

Thirteen distinguished American Indians, from Tisquantum and Sacajawea to Wilma Mankiller and Sherman Alexie, are profiled here. In three or four brief paragraphs, Rappaport (No More!, p. 49, etc.) imagines a vivid scene for the reader (“Osceola fell backward. His rifle fell to the ground. He clutched his shoulder. It felt like burning”) and introduces the person and their achievements in a few sentences. Her prose is straightforward and precise—though it occasionally becomes halting, as she avoids clauses and compound sentences. The text, on one-third of each spread, is accompanied by a bright, attractive watercolor illustration that helps set the scene. Birth and death dates, Indian and English names, and tribe are given at the head of each spread. Useful endmatter includes a pronunciation guide, separate lists of research sources and suggested books, and Web sites for young readers (with works by Native authors marked), as well as notes from the author and illustrators on their research process. Rappaport gives examples of the type of works she looked at in order to imagine or recreate her scenes. Her coverage of each person is so brief that this won’t be useful for reports, but it might be used as a browser by students, or for teachers to introduce a unit. (Nonfiction. 6-10)

Pub Date: Sept. 1, 2002

ISBN: 0-688-16559-1

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2002

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GOONEY BIRD GREENE

Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)

Pub Date: Sept. 1, 2002

ISBN: 0-618-23848-4

Page Count: 96

Publisher: Walter Lorraine/Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2002

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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