Pulitzer Prize—winning historian Goodwin (No Ordinary Time, 1994, etc.) turns her gaze inward, looking back on a childhood enlivened by books and baseball.
In many ways Goodwin had a typical '50s girlhood. She grew up on suburban Long Island at a time when many families were relocating to such communities. Her father worked, her mother was a homemaker. Perhaps the biggest difference between Goodwin and other girls growing up in this era was her deep and abiding enthusiasm for baseball. When she was six, she recalls, her father gave her a score book and taught her how to use it, a gift that "opened [her] heart to baseball." Retelling games for her father's benefit after he came home from work was her "first lesson . . . in narrative art." One can easily see how re-creating these games from the score book taught her to harness her imagination to quotidian details to re-create history. If baseball bonded her more deeply to her father, books served the same purpose in her relationship with her mother, a sickly woman with severe angina and numerous other problems. Goodwin also offers a child's-eye view of the Cold War, from the lunacy of bomb shelters and "duck and cover" drills to a particularly disturbing memory of reenacting the McCarthy hearings with other neighborhood children. Gradually we see her neighborhood unraveling under economic pressures, the Dodgers and Giants moving to the West Coast, and finally, her mother dying of an apparent heart attack at 51. Regrettably, Goodwin recounts all this in unimaginative prose, offering surprisingly few original insights into either baseball or the sociopolitical currents of the time.
Except for the final chapter about her mother's death and her father's subsequent depression and drinking problems, the book falls far short of her compelling historical narratives.
Pub Date: Oct. 1, 1997
ISBN: 0-684-82489-2
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1997
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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