Leasing, once a "Prohibited Immigrant" barred from her childhood homeland of Rhodesia by its white minority government, returns to what is now Zimbabwe—and in inimitably forthright style records her impressions. The author last visited her homeland in the late 50's, when the country was a British colony, not as rigidly segregated as South Africa but nonetheless dominated by a white ruling class that enjoyed a way of life impossible elsewhere. When she returned in 1982, Zimbabwe was just two years old, and blacks and whites were still bitterly divided as well as devastated by the ten-year bush war that had pitted blacks against whites as well as blacks against blacks. The countryside seemed equally devastated ("...the game mostly gone. The bush was silent"), and squatters were overfarming already fragile lands. Most whites whom Lessing met, including her brother, delivered what she called "The Monologue," as much a racist critique as a display of the after-effects of a tremendous shock. On her three subsequent visits, the last made earlier this year, race relations proved healthier, but Prime Minister Mugabe's government seemed increasingly autocratic and corrupt; the economy was poorly organized along socialist lines; a terrible drought had ravaged the region; and unemployment continued to rise, especially among the young. On these visits, Lessing talked to a range of contacts, black and white; stayed on farms where white owners were trying out new crops to boost the local economy; accompanied the multiracial Book Team, which helps rural women create "how-to" textbooks; and traveled fearfully to her childhood home, where the beloved bush had disappeared and "everything spoke of failure." Always the fair-minded realist, Leasing isn't overly optimistic about the future, but her sympathetic account of Zimbabwe's struggle to forge a common destiny is most worthwhile.
Pub Date: Oct. 21, 1992
ISBN: 0060924330
Page Count: 416
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1992
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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