Patent (Children Save the Rain Forest, p. 903, etc.) selects stories from the Mayan and Aztec tradition regarding the quetzal—a striking, vividly plumed bird of the rain forest—for this title in the Sacred Animal series. In a thoughtful introduction on Mesoamerica, Patent describes how scientists rely on sparse evidence to understand early beliefs. She notes that scholars disagree, that new evidence continues to emerge, and that she has simplified the information. Following those caveats comes a brief history of major peoples of Mesoamerica, focusing on the Mayan and Aztecs. From classical Mayan culture come stories of the fabled feathered serpent, a brilliant green snake, found in writings, paintings, and carved stone columns. Patent tells of stone images that show the plumed serpent, called Quetzalcoatl, who was honored as a powerful creator. Finally comes discussion of the endangered bird, which appears in art and on the flag, stamps, and money of the region. Newcomers to the subject may have a little difficulty following this complex history. Carefully documented, handsomely presented, this book nevertheless truly links a sacred animal to the culture (or cultures) of which it is so much a part. Exquisite, realistic drawings in colored pencil illustrate the sacred bird depicted in ancient art, as well as the contemporary endangered bird and modern Mesoamericans. (maps, further reading, index) (Nonfiction. 8-10)
Pub Date: Aug. 1, 1996
ISBN: 0-688-12662-6
Page Count: 40
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1996
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
McDonald’s irrepressible third-grader (Judy Moody Gets Famous, 2001, etc.) takes a few false steps before hitting full stride. This time, not only has her genius little brother Stink submitted a competing entry in the Crazy Strips Band-Aid design contest, but in the wake of her science teacher’s heads-up about rainforest destruction and endangered animals, she sees every member of her family using rainforest products. It’s all more than enough to put her in a Mood, which gets her in trouble at home for letting Stink’s pet toad, Toady, go free, and at school for surreptitiously collecting all the pencils (made from rainforest cedar) in class. And to top it off, Stink’s Crazy Strips entry wins a prize, while she gets . . . a certificate. Chronicled amusingly in Reynolds’s frequent ink-and-tea drawings, Judy goes from pillar to post—but she justifies the pencil caper convincingly enough to spark a bottle drive that nets her and her classmates not only a hundred seedling trees for Costa Rica, but the coveted school Giraffe Award (given to those who stick their necks out), along with T-shirts and ice cream coupons. Judy’s growing corps of fans will crow “Rare!” right along with her. (Fiction. 8-10)
Pub Date: Aug. 1, 2002
ISBN: 0-7636-1446-7
Page Count: 160
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
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