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THE LETTERS OF DOROTHY L. SAYERS

1899-1936: THE MAKING OF A DETECTIVE NOVELIST

Best known as the creator of the enduringly popular sleuth Lord Peter Wimsey, Sayers gives us glimpses of her life in this selection of vivid and often entertaining correspondence. This collection, which comprises only a fraction of the letters Sayers left, follows the author from her youth—she is only five when she writes the first, remarkably articulate, letter here—through the period of her fame as a mystery writer who is just beginning the religious works of her later years. Throughout, Sayers presents herself as an intriguing combination of reticence ("I never can write about my feelings") and brashness ("I really am a vulgar child"). Intelligent and a keen observer of her surroundings, she demonstrates the ability to sketch character and setting long before she pens her first novel. She does not hesitate to turn her lively sense of humor on herself, as when she notes that her unsuccessful verse translation of the Song of Roland sounds well enough "chanted aloud in the bath-room." Sayers taps all of these abilities to turn out controlled and for the most part upbeat letters, even when she is riding out her infatuation with writer John Cournos, struggling to establish her financial independence, making living arrangements for the illegitimate son she bore and "adopted" but never acknowledged, and coping with a husband who is given to "odd fits of temper." Fans of Sayers's mystery writing will particularly relish some of the later entries that show the author at work: for example, those to Dr. Eusatce Barton sorting out the details of their collaborative novel, The Documents in the Case, and those touching on the work it takes to get the play Busman's Honeymoon to the stage. Absorbing reading on its own, and a worthy companion to Reynolds's biographical Dorothy L. Sayers: Her Life and Soul (1993.)

Pub Date: April 1, 1996

ISBN: 0-312-14001-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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