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INSPECTOR HOPPER

The accent in Cushman's beginning reader is decidedly on the act of reading, as the story itself, broken into three fleeting chapters, has little momentum or interest of its own, let alone the brio or dash any detective story should. Inspector Hopper, all legs and slouch hat, along with his sidekick, the mustachioed, ever-hungry McBugg, solve three benign capers. The first of these is the disappearance of Mrs. Ladybug, who is found in a berry patch where McBugg has stopped for a snack; the second is the disappearance of Skeet the mailman's boat, a leaf that has been inadvertently eaten by a caterpillar. Last is the uncovering of the stalker in the alley, who turns out to be the Moon and not a bad detective in his own right when it comes to uncovering the dastardly rat. The sentences are clipped as tight as a buzz cut, which makes for easy reading, but if the stories had been just a bit more challenging they would also have been a bit more satisfying. With each sentence being a paragraph unto itself, it is difficult to get any sense of the text's timing, or the inflection of the words. What does charm in these pages is the artwork, with its warm colors, landscapes as seen from insect level, and its atmosphere of adventure, even if it materializes only in the slightest of measures. (Easy reader. 6-8)

Pub Date: April 30, 2000

ISBN: 0-06-028382-3

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2000

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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