Small and friendly.
Florian’s whimsical poem is set against a plethora, indeed a veritable multitude, of rabbits.
These bunnies come in many colors and shapes and sizes and, frankly, occasionally resemble animals not of the cony sort (children will be forgiven for wondering why the occasional kangaroo is playing with the bunnies). But their activities are not exactly bunnylike either, such as enjoying the smell of flowers (while eating same, with a napkin tied neatly around the neck) or building a snow bunny in winter, to say nothing of being tucked in “with a hug and a kiss.” The bouncy rhyme goes along happily with occasional rabbity thumps, which is as it should be. Though ostensibly about rabbits, of course, it’s really about children, and young readers and listeners will no doubt cotton on to the iteration of their own habits right away. The colors are soft and muted, with the occasional pop of bright red or orange. Working with gouache and then Photoshop, Sánchez takes advantage of the media to play with texture, juxtaposing small, scratchy lines with soft, blurry edges to create a countryside with just as much energy as its hopping inhabitants. The rabbits themselves are a happy combination of colors and patterns, a bounty of domestic bunnies let loose against the green.
Small and friendly. (Picture book. 4-7)Pub Date: Feb. 2, 2016
ISBN: 978-1-4998-0104-0
Page Count: 32
Publisher: Little Bee Books
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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