by Douglas Perry ‧ RELEASE DATE: Sept. 6, 2016
Bursting with vigor and electrified characters and with an ending the author stamps with a knowing wink.
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A small group deals with the fallout of a California ski-resort town whose residents have mysteriously vanished in Perry’s (Eliot Ness: The Rise and Fall of an American Hero, 2015, etc.) thriller.
An earthquake in Mammoth View is just the beginning. Once the explosions hit, the town’s in a full-scale panic. Billy Lane and cohorts Jackson and Sam use these as diversions to rob the local bank, but a traffic jam impedes their getaway. They turn around and head up the mountain, passing through a summer running camp for girls. Billy’s teenage daughter Tori is there, but when she returns from a hot-spring dip, her fellow runners and coaches are gone. Back in Mammoth View, notorious hellion brothers Melvin and Gordon Johnson are taking advantage of the seemingly deserted town, grabbing food or whatever abandoned goods they can find. Police chief Kenneth Hicks believes the brothers are responsible for the bank robbery, not to mention the corresponding bodies. They’ve definitely kidnapped someone, as Hicks and Lt. Johnny Lloyd soon discover, and only get more desperate and dangerous when they realize the cops are after them. Tori and radio DJ Oscar Alphonse “King” Desario may be potential abductees, for leverage or something worse. The moody story benefits from its atmospheric setting. What exactly sparked an apparent evacuation, for example, isn’t fully revealed until the end. There are hints of possible causes—someone suggests a Russian invasion or perhaps aliens—all shrouded with an undercurrent of sheer creepiness, like an initially unexplained “blob” following girls at the camp. Solidly developed characters add to the tension, people either wanting to escape their past or hopelessly locked inside it. Billy, for one, longs for the days with Becky, his partner (now dead) in both crime and love and Tori’s mom, while King’s girlfriend, Janice, is itching to flee Mammoth View—and maybe the DJ as well. Various players cross paths in intriguing, sometimes amusing ways (Janice in nearby Stockton meets someone readers will recognize), and most find their ways, reluctantly or not, back to Mammoth View.
Bursting with vigor and electrified characters and with an ending the author stamps with a knowing wink.Pub Date: Sept. 6, 2016
ISBN: 978-0-9972377-1-9
Page Count: 366
Publisher: Amberjack Publishing
Review Posted Online: June 30, 2016
Review Program: Kirkus Indie
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by Jeff Guinn & Douglas Perry
by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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