Next book

JENNIE

An anthropologist and his family take a chimpanzee into their home and make more of a fuss over the animal than readers are likely to in a first novel by science writer Preston (Cities of Gold, 1992). A curator at the Boston Museum of Natural History, Dr. Hugo Archibald goes to Africa to buy chimpanzee skulls and falls in love with a baby chimp, whom he brings home to his wife, Lea, and their young children, Sandy and Sarah. The Archibalds raise Jennie as a human child, dressing her in diapers and kids' clothes and buying her dolls and toys, and Jennie and Sandy become inseparable best friends. A neighbor who is a Christian minister takes it upon himself to bring Jennie to Jesus, and a primate researcher teaches her sign language. But then Jennie hits puberty, her hormones kick in, and, predictably, she becomes uncontrollable; the fate of this chimp who thinks she's human is not a pretty one. Much more insightful when it comes to animals than humans, Preston hasn't worked out the Archibalds' motivations, and this omission is a serious flaw of the novel. Preston seems to want readers to think that the Archibalds are merely eccentric when all his evidence points to the fact that these people are disturbed and that Jennie is filling some bizarre need in the family. Preston throws us a few tidbits—an adult Sarah confesses that she had hated Jennie because she believed that her father loved the chimpanzee better; Hugo, discussing with a colleague Jennie's care after he and his wife are dead, says that the Jennie problem is no different than having a mentally retarded child—but they only confuse us all the more. It doesn't help matters that the novel, written as an oral history, masquerades as nonfiction. As a novel, this is sometimes sweet but mostly strange. Better to take the kids to the soon-to-be-made Disney movie; Jennie's sophomoric monkeyshines—peddling away on her tricycle, scarfing bananas, and giving all and sundry ``the finger''—may play better on the silver screen than they do on the written page.

Pub Date: Oct. 19, 1994

ISBN: 0-312-11294-7

Page Count: 336

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1994

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 63


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 63


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Close Quickview