Preston, who followed in Coronado's footsteps in Cities of Gold (1992), feels the itch for another rigorous, horse-borne journey—this time through the sere lands of Navajo reservation— and returns with pungent descriptions and curious encounters. Preston embarks on this journey across the Utah Strip of the Navajo reservation, from Navajo Mountain to Shiprock, at the suggestion of his soon-to-be-wife. It's a chance to knit her daughter more closely to Preston. That seems like a good idea to him, and he is also interested in following the trail of Monster Slayer, the Navajo deity responsible for ridding the earth of the enemy gods. The three undertake the journey at the pace the landscape demands: not exactly a mooch—they have to reach sources of water at least every couple of days—but not much more than a slow poke. They snake their way through a land of rimrock and butte, sandstorm and ungodly hail, a trackless place that still has the feel of wildness about it. This is holy Navajo ground; Preston approaches it with respect, always aware that this is more than just a stupendous piece of scenery (``a landscape of Zen-like emptiness, a great yellow plain bounded by blue mountains''), careful to insert the Navajo creation story and the saga of Monster Slayer into the lay of the land. Gathering together strands of landscape description, regional history, indigenous tales, ruminations on the Anasazi, and his new family's gradual union, Preston braids them into a neatly knotted story. Also woven into the adventure, giving it some needed buoyancy, are a clutch of artful characters the entourage meets en route. Many are Navajo guides required for passing through these parts, but there are also sinister types, mystics, and plain kooks. One tough journey, luminously remembered, pulled off with a combination of flair, grit, and good humor. (16 pages b&w photos, 5 maps, 25 drawings, not seen) (Author tour)
Pub Date: July 1, 1995
ISBN: 0-684-80391-7
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1995
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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