Wood (Making the World, 1998, etc.) tackles the enormity of death and the meaning of prayer in a way that is both accessible and meaningful. A boy walks with his grandfather, who is his best friend. As they stroll through woods and past streams, the boy asks those questions that grandparents are on earth to answer—“Why?” “What if?”—and about prayers. Lucidly, the grandfather explains that trees “pray” as they reach for the sky, that waters pray, that the wind prays and sings at the same time. When people pray, “a prayer is often its own answer.” The grandfather dies, and the narrator finds it impossible to pray anymore; one day, when he is older, he discovers the woods again, and finds his own prayers. The deeply naturalistic watercolors portray the wild exquisitely, and the boy and grandfather are timelessly rendered in jeans, corduroys, and plaids. Some of the spreads are stunning: a close-up of the boy in the grass with a tiny clover in his fist, and only Grandad’s knees visible; or a ground-level view, looking up, past the upturned faces of the pair to the sun shining through the trees above. This is a depiction of the spiritual that is without reference to a particular faith or tradition, and that doesn’t lapse into greeting-card platitudes; Wood conveys a sense of something larger in the world, and gives voice to the human longing to understand. (Picture book. 6-10)
Pub Date: Oct. 1, 1999
ISBN: 0-7636-0660-X
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
There is something profoundly elemental going on in Smalls’s book: the capturing of a moment of unmediated joy. It’s not melodramatic, but just a Saturday in which an African-American father and son immerse themselves in each other’s company when the woman of the house is away. Putting first things first, they tidy up the house, with an unheralded sense of purpose motivating their actions: “Then we clean, clean, clean the windows,/wipe, wipe, wash them right./My dad shines in the windows’ light.” When their work is done, they head for the park for some batting practice, then to the movies where the boy gets to choose between films. After a snack, they work their way homeward, racing each other, doing a dance step or two, then “Dad takes my hand and slows down./I understand, and we slow down./It’s a long, long walk./We have a quiet talk and smile.” Smalls treats the material without pretense, leaving it guileless and thus accessible to readers. Hays’s artwork is wistful and idyllic, just as this day is for one small boy. (Picture book. 5-8)
Pub Date: April 1, 1999
ISBN: 0-316-79899-1
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
One of a four-book series designed to help the very young prepare for new siblings, this title presents a toddler-and-mother pair (the latter heavily pregnant) as they read about new babies, sort hand-me-downs, buy new toys, visit the obstetrician and the sonographer, speculate and wait. Throughout, the child asks questions and makes exclamations with complete enthusiasm: “How big is the baby? What does it eat? I felt it move! Is it a boy or girl?” Fuller’s jolly pictures present a biracial family that thoroughly enjoys every moment together. It’s a bit oversimplified, but no one can complain about the positive message it conveys, appropriately, to its baby and toddler audience. The other titles in the New Baby series are My New Baby (ISBN: 978-1-84643-276-7), Look at Me! (ISBN: 978-1-84643-278-1) and You and Me (ISBN: 978-1-84643-277-4). (Board book. 18 mos.-3)
Pub Date: Jan. 1, 2010
ISBN: 978-1-84643-275-0
Page Count: 12
Publisher: Child's Play
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
BOOK REVIEW
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