Wood’s companion title to What Dads Can’t Do (p. 725) is a droll salute to motherhood. A young child considers the many “limitations” his mother stoically endures; from her apparent inability to make tasty brown-bag lunches to her difficulties with saying good-bye. Young children will get a kick out of the comical text—“Sometimes moms can’t hear themselves think (whatever that means)”—and the topsy-turvy perspective of a world according to preschoolers. As expected, this whimsical enumeration of a mom’s short-comings is more of a reflection of the child’s outlook than the reality of the situation. What is an unexpected treasure is how such brief and utterly comical statements can convincingly convey the deep bonds between mother and child. This is in part due to the interplay between the text and art. Each pithy statement is accompanied by brightly colored pen-and-ink drawings that deftly capture the boundless energy of small fry and the steadfast patience that is a job requirement of motherhood. Cushman’s wryly humorous drawings provide the “subtext” to the tale and tell the real story; e.g., “Moms can never pick out just the right clothes” is accompanied by the comical illustration of a pint-sized despot, clad only in his undies, staunchly refusing a myriad of outfits proffered by his long-suffering parent. The dynamic interaction between prose and pictures makes this sweetly funny and winsome tale a delight for adults to read and children to hear. (Picture book. 4-8)
Pub Date: March 1, 2001
ISBN: 0-689-83358-X
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sweet notion that falls flat.
A hit song reimagined as a book about parental love.
Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.
A sweet notion that falls flat. (Picture book. 4-7)Pub Date: April 1, 2025
ISBN: 9780593622599
Page Count: 32
Publisher: Viking
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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