An unapologetically energizing reading experience.
A 20-something social media star shreds misogynist male privilege in the name of feminist freedom.
Afualo never intended to become famous on TikTok. Her goal had been to become a football reporter because football was home to many members of her Samoan community. Then, dismissal from her dream job, followed in quick succession by the Covid-19 pandemic, changed her plans. “The reality of it going down the drain so quickly and aggressively crushed my spirit in ways I had never anticipated,” she writes. The author joined TikTok and posted humorous tirades against “awful men who attack marginalized people on the internet for no reason,” and she went viral. In her debut book, Afualo continues her mission to uproot the internalized biases actively cultivated by patriarchy, most of which harm gender minorities. Though born into a fundamentally matriarchal culture, the author was influenced enough by white patriarchy that for a short time during adolescence, she became the plus-sized “pick-me girl” who sided with boys to earn validation. That changed in college when she learned the power of female friendships and turned into a “crusader for other women.” However, Afualo’s newfound wisdom did not prevent her from feeling pressured to find love and becoming involved in a bad relationship with a controlling cheater of a man. Yet that experience—along with a supportive family—helped her break free from the conditioning women receive to prioritize men at all costs and accept toxic behavior. Though this memoir is at times youthfully self-aggrandizing, its strength lies in the validation it offers women: “It’s okay if you want to be mad…if you want to yell back…if you want to be a bitch to men who are disrespectful to you.” The message will undoubtedly resonate with her fans and anyone sick of rampant misogyny.
An unapologetically energizing reading experience.Pub Date: July 30, 2024
ISBN: 9780374614058
Page Count: 256
Publisher: AUWA/MCD
Review Posted Online: April 4, 2024
Kirkus Reviews Issue: May 1, 2024
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
IN THE NEWS
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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